Posts Tagged ‘male nude model’

Jeff arriving at my apartment for the photo shoot

Jeff arriving at my apartment for the photo shoot

Through some online connections, I saw a picture of a very attractive guy named Jeff, who is originally from Hawaii but now lives in the Pacific Northwest. He was planning to be in Hawaii for a few days and I was able to contact him and asked him if he were interested in talking to me about modeling for me while he was here. A couple of weeks later, he showed up at my place and we had a nice talk and decided yeah, we could work together.

I’ve lived in my Waikiki apartment for only a little over a year, and haven’t really thought of it as a good location for a photo session. I usually prefer to do outdoors photo shoots but Jeff was only available on the weekend, which is not a good time to try to shoot nudes at any of the Oahu beaches I know. So I decided to try doing a photo shoot in my apartment. I’ve done one other photo shoot in the apartment, with Sam, and it worked out pretty well, so I thought it might be okay. Especially since I’ve gone plant-crazy in the last few months and I have lots more greenery to add to the visual interest and appeal of the place. So I had Jeff come over to my apartment the next afternoon.

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Jeff looks good in bed

First thing I did was get him into my bed! Not like that—you know what I mean. But it’s a great setting and actually the light in my bedroom at that time of day turned out to be terrific for this purpose. And Jeff DID look awesome in my bed, as you can see.

We moved some plants into my bedroom to add to visual interest...

We moved some plants into my bedroom to add to visual interest…

Next thing I did was move some of my bigger plants into the bedroom to add to the backdrop. This was the beginning of a LOT of plant-moving that went on during the photo shoot. I need to get planters with wheels in the future. Anyway, I think it added a lot to the backdrop—and it’ll be interesting to see how this works out when I start painting some of these images. (I always wanted to have plants to use in this way, but I used to have a black thumb—plants always died on me sooner or later. For some reason, as I’ve gotten older and more at peace with myself, plants like me more. They now grow in my environment. In fact, it turns out I have somewhat of a green thumb now! I love having that I now have LOTS of plants in my home, and they seem to be thriving! The fact that they work so well to add visual interest when I’m doing a photo shoot is an unexpected fringe benefit.)

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Jeff on my fire escape… On the sofa in my living room

My apartment has a back door that leads onto a fire escape which is actually kind of cool, with black-painted walls. So we moved one of the plants out there and I did some shots of Jeff with the plant in the background. This KIND of worked. The jury is still out, but I suspect some unexpected kind of painting will come out of these shots…we’ll see.

Next we went to my living room and I did a bunch of shots of Jeff there and that worked really well. I already knew Jeff was attractive but as I photographed him I liked him more and more. He looks good from just about every angle. His ethnic background is Caucasian-Mexican-Chamorro. Chamorro is the ethnicity native to Guam, and the look is similar to Filipino, and in my book, men of Filipino or part-Filipino ancestry are among the most attractive men on the planet. So I love Jeff’s look.

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Late afternoon in my living room

Several shots of Jeff in the late-afternoon light in the living room were really striking. I think there are many of these that could turn into paintings. Jeff’s brown body against the white of the carpet and the sofa, plus the green of the plants, and the drama of the late-afternoon sunlight—I think there are lots of possibilities here.

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On the lanai with plants… One of my favorite shots, near the end of the photo session

I also took advantage of my lanai and all the plants out there. Again, we were moving plants like crazy, trying to find the right arrangement to give a nice backdrop and work with the light. Jeff was super-helpful and cooperative and easy to work with. I am so grateful that I seem to attract great models to work with—not only beautiful to look at but easy-going, pleasant guys as well. Jeff definitely falls into this category.

All in all it was a great shoot. I had some trepidation about how well it would work to do the entire shoot in my apartment, but I was very pleased overall with the reesults. Best of all, Jeff and I had fun. My experience is that that’s almost a guarantee that the images that come out of the photo session will produce good art. When I find the model attractive AND enjoy working with him, then I’m a lot more inspired once I begin the actual drawing and painting. I’m looking forward to the art that comes out of this photo shoot.

Update to this Entry:

In April 2013 I published an e-book called “Jeff” which contains almost 100 uncensored photographs from both of my photo shoots with Jeff. You can purchase it for instant download here.


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Here's the photo of Kawai and Sam I began with.


A lot of the work I do as an artist involves making rough sketches. What I usually do is sit down at my drawing table, which is next to the computer,and bring up the photos from a recent photo shoot. I have a nice big screen so it’s pleasant to sit there and draw from the image on the screen. And I can zoom in or out for details, etc. This is how I maintain my skills, and expand them. It’s also one of the ways I generate ideas for new paintings. So the other day I was drawing from the pool shots of Kawai and Sam, and came across an image I really liked, of the two of them lying next to each other on beach towels.


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Above is the first color sketch for the proposed painting (click on the image to see this item on my website). I liked everything about the image except the background, so in the first sketch I did I exchanged the rock wall and the pavement for a simple patch of grass and some blue sky. As you can see, I also began simplifying and stylizing the faces and bodies of the figures.

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Above is the second sketch (click on image to see item on my website), this time just in black-and-white, where I refined the faces and bodies somewhat, and tried a similar background, but this time with a few palm trees at the right. By now I was deciding this would make an interesting painting.

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Here’s the third and final preparatory sketch for the painting. In this one I took things a step further. I continued to refine the figures, experimented some more with the background, and added color. By now I felt ready to begin the painting.

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To enlarge the rough sketch and transfer it to canvas, I first scanned it, then opened it in Photoshop, and using my digital projector, projected it onto a piece of canvas I’d tacked up on my workboard. Then I traced it with pencil, except for the background. As you can see from this photograph, I found some old photos I’d taken of Queen’s Surf (a beach in Honolulu near where I live) and decided to use those as reference for the background. I drew the background freehand. Then, now that I’d completed the pencil drawing on canvas, I took some black acrylic paint and a #2 Round acrylic-painting brush and painted all the lines. After letting that dry, I painted a thin earth-brown wash over the whole painting.

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Then the fun began! I say it’s fun, but it’s also one of the scariest parts of making a painting. I can usually tell pretty quickly, once I begin laying in the colors, whether or not a painting is going to work. If there’s no magic in the first half-hour of adding color to painting, the prognosis is not good. Fortunately in this case, I started having a good time right away. Putting a big splash of sky blue on Kawai’s shoulder was just the bold, ballsy move I needed to get things going.

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Here the colors are beginning to define themselves. I continued painting, using pretty naturalistic colors—well, maybe a bit more vivid than real life!—and letting the colors wander. By that I mean I did something you learn not to do when you’re a kid coloring in a coloring book—I made sure NOT to stay in the lines. I don’t know why I enjoy this approach so much, but for me it gives a painting a certain energy, and even a sense of humor, that it just wouldn’t have if the colors were all nicely contained. Maybe it has something to do with what I have learned (and also sense intuitively) about the physics of the world we live in: edges and separations are illusions we project to give us a sense of order. But in reality there are no separations, it’s all connected and it’s all one. So of course the color from the palm trees would bleed into the sky, and vice versa! And of course your body would pick up the color of the sky and the sand around you. Then again, maybe I am just such a rebellious type that I like not staying in the lines.

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Then it was just a matter of finishing it. Which meant completing the still-unpainted areas. I don’t want you to think it’s just a matter of splashing some paint on and standing back, though. Because I began by painting all those black lines and getting them just the way I want them, I have to be careful when I’m filling in the colors to not cover up the black lines. Or cover them in a way that enhances them without destroying them. So it’s a bit tedious and labor-intensive. But worth it. I’m very pleased with the final result, which you see above (click on the image to see it on my website: I’ve titled it “Gay Nude Beach.”


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My candidates for a two-guy photo shoot.

I was planning to do a second photo shoot with Sam and about the same time my friend Kawai (pronounced Ka-VYE, rhymes with tie) expressed an interest in modeling. I thought maybe I could entice the two of them to pose together. I’ve always found it a challenge to find two models willing to pose together, but thought maybe this one would work out. And yes, both Sam and Kawai said sure, it sounds like fun. Before this they had known each other from a distance but had never really talked or gotten to know each other. So as always, I decided to just give it a shot and see how things went.

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Sam and Kawai arrive at the beach.

We met at my house at sunrise and drove out to a secluded beach I know of on the east side of the island. It was a weekday, and not yet 7am, so I was hoping there would be no one around at the beach. And fortunately there wasn’t. We walked a short distance from the road and we were there.

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Sam and Kawai happily peeled off their clothes and headed for the water.

I was also fortunate in that Sam and Kawai seemed to be hitting it off. They clearly liked each other and were comfortable with each other—with just enough mutual attraction going on to make it interesting. Both Sam and Kawai are in their mid-20’s, and both are outgoing, friendly people. I know and like both of them so I wasn’t surprised they liked each other, too.

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Wrestling on the beach!

After having the two of them slather each other in sunblock (that helped relax them as well as protecting parts of them not used to the sun), I suggested they do some wrestling and rolling around on the beach—just to see what would happen. Sam was aggressive and playful but Kawai was holding back—I think he was afraid he was going to hurt Sam or something. But he did relax eventually. And I was getting some great shots.

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I wanted some affectionate stuff, too, and it was no problem. These two really did like each other and it was a unique situation where it was totally okay to be openly affectionate with another attractive guy, with truly no strings attached. You can tell they both enjoyed it. And we were just getting started.

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We were all over that beach that morning. I wanted some action stuff (no, I don’t mean that kind of action) so we went where the waves crashed highest against the biggest rocks—and Sam made his way across the rocks to stand on the highest one in the morning sun—then had a bit of trouble getting back. Fortunately Kawai was there to help.

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At Kei and Dick's backyard pool...

After shooting for a couple of hours at the beach, we went to the nearby neighborhood of Mariner’s Ridge where my friends Kei and Dick live. They’ve always been very generous about letting me use their backyard pool for my photo shoots. I had Sam and Kawai jump in the pool, then get out and towel each other off. Toweling off is one of my favorite things to have a model do, and having two models do it for each other made for some great shots.

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As I said, the two liked each other and by now they were very comfortable with each other. It was Sam’s second photo shoot so he was very relaxed (Sam is a boisterous, fun guy with a lot of personality anyway), and that helped relax Kawai.

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But it wasn’t all laughing and clowning around. I was able to get lots of sweet, affectionate moments—I’d been hoping for that but it’s not something you can engineer…it either happens or it doesn’t. I couldn’t have gotten poses like this if there weren’t some genuine chemistry between the two.

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This shot was one of the very last that morning. By this time the two were so at ease with each other they were giggling and playfully affectionate as if they really were lovers in private, with no prying eyes around. This was exactly what I’d hoped for. I engineered things as much as possible but the way things came together was ultimately just my good luck at knowing two such sweet and handsome guys who were willing to be playful in front of my camera. Thank you Sam and Kawai!

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This was the candid shot I got of Sam at the pool party that made me think Wow, this boy is model material and I hadn't even seen it 'til now.

I’ve found a new model—Sam. Over the past few months Sam and I have ended up at the same parties and we’ve become friends. After a pool party a couple of weeks ago, I was looking at the candid photos I’d taken and for the first time I realized that Sam would make a good model. I’m not used to seeing Caucasian guys that way, which probably doesn’t surprise anyone who’s paid much attention to my art over the years. But I found myself appreciating Sam’s lean, pretty body and his handsome face—and that’s not even to mention his warmth and bright, fun personality. Sam is charismatic, likeable and HOT—and I knew he’d be fun to work with. So I called him and asked him if he wanted to model. He said he’d be honored.

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Sam on the loveseat in my living room.

So he came over to my new apartment in Waikiki and we did a photo shoot. I just moved into this place a month ago so this is the first photo shoot I’ve done here. I wasn’t sure how well it would work for that. We started out in the living room, which was where I thought the light would be best.

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One of the first shots of Sam I shot on my lanai.


What I hadn’t thought about was the fact that because it was nearly noon, the sun was above the building and only reflected light was shining into the living room. With no direct sun hitting the model, the light tends to be soft and diffused. Which is fine when you want to flatter someone but not so great when you have someone who needs no flattering and in fact looks great with strong dramatic light striking his body.

So we went out onto my lanai, which is long and narrow and at first glance would not seem to be a great location for shooting a model. But almost immediately I realized that, at least at this time of the day, it was better than the living room. The light was more direct, and the pink of the outer walls worked well with Sam’s coloring.

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Sam hanging on my front gate.

There’s a cast-iron swinging gate at the entrance of my lanai, with a piece of white plexiglas in it. It’s not very attractive and I’ll probably do something to make it look better at some point but, surprisingly, it turns to be a great backdrop and support for the model! I got some great shots of Sam leaning back and hanging on the gate.

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This was shot from outside the back door of my bedroom.

There was another part of my apartment I hadn’t tried—my bedroom. Since it’s not very bright in there I didn’t think it would work very well. But, again, I was pleasantly surprised at how nice the light was. I was able to get some fairly dramatic lighting situations in there with Sam standing near the single window.

The back door of my bedroom opens onto a little landing which leads to my neighbors’ back door and the stairwell. Since the neighbors weren’t home I tried shooting Sam in that area, and with the flat-black doors and walls, got a completely different effect, and again, one that worked surprisingly well. I probably shot a couple hundred images in my bedroom and on the landing by my back door.

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Through all this, one thing didn’t surprise me, and that was the fact that Sam was at ease and comfortable in front of the camera, and easy and pleasant to work with. I already knew he photographed well from shooting candids of him at all those parties…so that wasn’t a surprise either. This first shoot went so well I’ll probably shoot Sam again. In the meantime I’m very happy to have a lot of new images to work from and you’ll be seeing more of Sam in the near future.

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Soon after my early August photo session with Mike T., I got a chance to start creating some drawings of him. For my first drawing I chose a shot of Mike which happened this way: I had him wearing white briefs and getting wet in a tidepool. I wanted to see him in soaking-wet briefs. So I got those shots, and they weren’t all that great. So I had him take off the briefs. As soon as he took them off he started wringing them out, and that made for some nice shots. Then I got an idea. I told him to start wiping the briefs across his chest, then his stomach, and in effect using it as a washcloth. This made for a whole series of great shots, and the one you see here is one of the best.

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This started out as a pretty straightforward pencil drawing. However, I’ve recently begun varying my pencil leads more. What I mean is, where I used to customarily use a single pencil for an entire drawing, I’ve begun using different hardnesses for different purposes in the drawing. So for the darkest darks I’m using a very soft lead, and for the lightest areas (well, actually the second-lightest areas since leaving the paper untouched supplies the lightest lights) I use a very hard lead. For those of you who are draughtsmen and are interested in specifics, here’s what I’ve been using: For the darkest darks, I use a 2B or a 3B, occasionally even a 4B. For less-dark darks, I use a B (more or less equivalent to a number 1 pencil). For darker middle tones, I use an HB, and for lighter middle tones, an F. For the lightest shadow areas, I’ll use an H, and occasionally for even lighter tones, a 2H or a 3H. You can get by using just a couple of different hardnesses and you’ll still have plenty of range for most drawings, since just varying the pressure already gives you so much range with pencils. But if you want really subtle, fine variations in tone, use 4 or 5 variations in hardness. That’s what I wanted in this drawing, and it definitely made a difference. One challenge was the tattoo. This is where the different pencils really helped. There’s an overall subtlety and power to this drawing that I wouldn’t have been able to get with just 1 or 2 pencils. I call it “Polished” not just because it looks a bit as if Mike is polishing himself, but also because I feel like it’s one of the most polished drawings I’ve done to date.

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I began a second drawing soon after. I wanted to keep this one a bit looser—doing two very meticulous, detailed drawings in a row is just a bit too much for me. I need variation. So I decided to do this one in a looser style. For my source image I chose a shot of Mike sitting on a towel and looking at something in the distance. I love the way his body looks in this photo, and his profile is really lovely.

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Since I chose to do this drawing more loosely, I didn’t use so many variations of pencil lead. I mostly used a really soft pencil, and instead of careful crosshatching, did more of a scribble. Keeping the scribbles somewhat consistent, of course! Then, in places, I’d go in and smear the pencil lead to get softer variations in tone. That would then sometimes require going in again with a gneaded eraser to lift out highlights in the smeared areas. This approach gives the drawing a very different look than what you see in “Polished,” but it’s one I like just as much. It just has a different energy. I chose to leave the background out on this drawing, for two reasons—one, I’m lazy and didn’t want to draw all that, and two, the positive-negative spatial interplay I got by just putting the body against white space really worked. Or put more simply, the figure actually worked better and was stronger without the background. I called this one “Near Sandy’s” (“Sandy’s” is the local nickname for Sandy Beach, which is very near the location where we did our photo shoot).

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A few days later, I decided I wanted to do a simple acrylic painting of Mike. I chose an image where Mike is just beginning to remove his boardshorts. I found the gesture beautiful and intriguing. The original image was a little dark and low-contrast so I tweaked it in Photoshop before beginning to do preparatory sketches. I did several sketches in pencil, then did a light-and-shadow study in colored pencil. I was still not sure what I was going to do color-scheme-wise, but with just a single figure on a colored background, I wasn’t too worried that I’d be able to make it work.

Painting the figure turned out to be a pretty straightforward task, using standard light-and-shadow techniques and naturalistic color.

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Then, however, I added black outlines and an electric purple background (with a glow just behind the figure to make it ‘pop’). That gave the piece a cartoon-y, action-figure feeling, while the naturalistic rendering of the figure allows us to still appreciate the beauty and sexuality of the figure. I’m calling this one “Supermike.”

Update to this Entry:

In March 2013 I published an e-book called “Muse: Drawings and Paintings Inspired by Mike T.” You can purchase it for instant download here.

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I met Mike T. through another of my Hawaii models, Kaimana (they work together). He came to my studio for an interview in late July and I shot some test photos of him. To be truthful, I really didn’t need the test photos to know I wanted to work with Mike. He has an amazing body, and a great smile as well. Plus, he was punctual and polite! We talked about what kind of photo shoots I do, I showed him the release forms, and we agreed we wanted to work together. We scheduled a photo shoot for the following week.

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Mike arrives at the beach, 7 am.

I chose to use the same location I used for my shoot with Kaimana. It’s a rocky coastline on Oahu’s southeast side, not far from Makapuu Point. The area is one of the few beaches near Honolulu which is more often deserted than not. I wanted to shoot as early in the morning as possible. I arrived at 6:45am and Mike showed up about 7, which was a little later than I’d wanted, but still worked out perfectly well…the light was really nice.

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Mike folds his boardshorts.

We hiked a little ways into the deserted beach area and I started shooting right away. I started with a series of Mike taking off his boardshorts, putting them on again, then repeating, repeating, repeating while I shot every possible angle. At one point I had him folding his boardshorts, too.

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Mike with Koko Crater in the background.

We hiked a bit farther in and found some rocks that offered a good setting. I had Mike lay one of my beach towels over the rocks and sit down, while I moved around him and captured every possible angle. (Sometimes I go home after a photo shoot and just fall into bed…one of the reasons is that I am constantly in motion, not wanting to miss any possible shot, which means I am always circling the model.)

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Great light at this time of the morning!

This was one of the best and most enjoyable photo shoots I’ve done in a long time. The light was ideal, as was the setting. And the model, spectacular. Mike looks good from just about any angle, and he’s very easy to work with. Friendly, unassuming, sweet in a very masculine way. And he was surprisingly at ease right from the start. Often it takes a little while before I get the model to relax, but Mike seemed to trust me right from the start, which made things much easier—and allowed me to get some great shots right from the beginning of the shoot.


And as great as the initial shots were, things just got better and better as Mike got more relaxed and I got more warmed up and inspired. I love Mike’s looks, and the camera loves him too—almost every shot I took was a good one!

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My challenge here was keeping my camera dry!

The area we were shooting in offered lots of variety—beach, rocks, water, mountain backdrops—and I took advantage of as many as I could manage to in the time we had. I also had some new equipment which gave me a great advantage in terms of how much material I was able to shoot. Usually I use a 1 or 2 gigabyte card in my camera—that gives me either 250 or 500 shots per card. But the day before the shoot I went to the camera store to see if there were new cards available with more memory. To my surprise, they now have an EIGHT-gigabyte card for my camera! So I bought one. This was a terrific investment. It meant that I was able to shoot constantly for 2 and a half hours without having to stop to change the memory card. I did have to stop and change the battery once—but that’s the only time I had to stop shooting to deal with equipment stuff. And the 8-gig card turned out to be the perfect size. The card ran out of memory just as I ran out of energy. I wound up with over 2200 hi-resolution photos.

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We were fortunate because there was nobody anywhere near, so we were able to work uninterrupted from 7am until about 930. Theoretically I can shoot for as many hours as I want—usually the model is willing—but I’ve found that 2 and a half hours is near the maximum before I start fading. I find I expend a surprising amount of energy during a photo shoot because of how intensely I’m concentrating.

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And now, the next phase of my work (my profession/hobby/fun) begins…turning these glorious photos into glorious drawings and paintings. The afternoon after the photo shoot (after taking a nap!), I began the first drawing of Mike. You’ll see it soon, along with many others to follow.

The beach shoot in the previous entry happened on a Thursday. Saturday was the day we’d scheduled a boat excursion to some of the islands in the bay (Bahia de Todos os Santos). Renting a boat is always an interesting process in Brazil (maybe it is everywhere, i don’t know—I’ve only done it in Brazil). So all of us arrived at the beach in Barra, which is where we were supposed to meet the boat, and we were loaded down with supplies (beer and soft drinks, sandwich fixings, and ICE) for the day trip, and—NO BOAT!

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Waiting for them to bring the boat around...

The dreadlocked guy I’d been dealing with, who calls himself "Marco Polo", told me that the R$500 (500 reais, about $250) boat I’d hired and given him a deposit on was not available—it was being repaired "out on the island"—and sorry, but all we have available is the BIG boat for 900 reais ($450). Is that okay? We were already there, ready to go, the ice was melting—I felt like I didn’t have much choice but to give in to the manipulation. But I was pretty philosophical about the extra expense—my attitude in these situations is, everything happens for a reason. And when we finally got on the boat I saw that it was exactly what I’d had in mind and if we’d taken the less-expensive boat I might well have been disappointed.

(Nevertheless, NOTE TO SELF: If you’re going to rent a boat and sail to deserted islands, Angra dos Reis is a much better choice. Lots more boats to choose from—and more competitive prices—and lots more islands to choose from too!)

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Leaving Salvador...hijinks enroute...quiet moment with Israel and Fernando.

We loaded our stuff and ourselves onto the boat and sailed out into the Bay to a place called Ilha de Frades, one of many small (and some not-so-small) islands in the Bahia de Todos os Santos (All Saints’ Bay) which is the bay on which Salvador is located. It took us nearly 2 hours to reach the island (and this was sailing across just one corner of the bay—it’s one of the biggest in the world). Once there, we found another beautiful, deserted beach—beautiful in a very different way from the one we’d visited two days before. This was more like the beaches in the islands of Angra dos Reis, though with more coconut palms, which add a visual element I always like.

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Wellington bringing gear to shore; Kelly and Israel; the boys on the beach; playing by the tidepool.

There was no dinghy or rowboat, which meant that once the schooner was anchored, we had to ferry my camera equipment to shore in plastic bags held atop the heads of the models. Remind me to get a boat with a rowboat next time!

Anyway, once we had all our stuff over on the beach, I began following the boys around with my camera (always a challenge to keep up with them!), shooting nonstop, and my sister Kelly following us with the video camera—also doing her best to keep up.

Things went very well and then we reached an area where the rocks were very slippery, and as I’m shooting the guys playing in a tidepool, I hear a yell and turn to see that Kelly’s feet have gone out from under her and she’s sitting in a tidepool—she’s soaked, and so is the video camera. Almost instantly Wellington ran over to ‘save’ her (he’s very gallant around Kelly) and he also slipped, fell, and slid right into the same tidepool. Fortunately all Kelly had was a scraped elbow—but the video camera was no longer working, and as it turned out, was pretty much trashed—not only had salt water had gotten into the circuits, the impact itself broke a key component (we found this out later). Kelly, as you can imagine, felt terrible—but I reassured her that it was nobody’s fault and shit happens! And anyway, it’s just a piece of equipment—it can be replaced.

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Heading home after a long day in the sun...

As philosophical as I was about the loss of the equipment, it was still a blow for me—I’d been really enjoying the process of videotaping this whole trip (and already editing the movie in my mind), and suddenly it seemed like that part of the project was going to be fatally compromised. I soon realized i was overreacting, and there’s always a way to deal with it—but it took me a bit to get to that point.

Anyway, I kept shooting the models even though i was feeling preoccupied and upset. As I shot the photos, I was thinking, well, these aren’t going to be much good because I’m not focused like I should be. But the next day, when I looked at the results on the computer, I was blown away by how good they were. I guess I’m more professional than I realized. Not a bad thing to discover.

So the second model shoot, despite the loss of the video camera, turned to be a good, productive day. We sailed back to Salvador, got off the boat and waded to shore with all our stuff, and I headed straight home and fell into bed, out like a light.

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Wellington became our new best friend in Salvador.

Once the second photo shoot was over, I could finally relax and enjoy being in Salvador. But I was so tired I found myself mostly just catching up on sleep. I did enjoy myself, though. Salvador is a great place, and the people we met made it even better. Over the next few days, Wellington kind of adopted Kelly and me, and took us everywhere. He’s the kind of guy who, wherever he goes, finds friends. Either you already know him and like him, or you’re about to. This meant that we got incredible warmth (and great service too!) from people wherever we went with him. He made the rest of our stay in Salvador even better than it would’ve been otherwise.

I also have to thank Fernando for providing so much help and guidance, and generally doing a great job as a talent-scout-agent-tour-guide and general helper. Again, his website is bahiaboybrasil.com, if you’re headed for Salvador and you need somebody to take care of you and show you around.

Kelly and I spent three days in Rio before heading home to, respectively, Hawaii and Lincoln, Nebraska. I enjoyed showing her around one of my favorite towns and we met a lot of nice people there too. I got back to Honolulu on Saturday, April 14, and as great a time as I had in Brazil this trip, it was wonderful to be home! I can hardly wait to start work on new paintings and drawings of Israel and Wellington. (And planning my next trip…?)