Posts Tagged ‘Hawaii’

Walkingthetightrope header

February 28, 2014

CONTENTS


• A QUICK RE-CAP
• THE WINTER ESCAPE PLAN, PART 1
• BEING THERE FOR FAMILY
• PAINTING
• THE WINTER ESCAPE PLAN, PART 2

(Note: the above titles are clickable)


A QUICK RE-CAP



Back in June 2011 when I made the decision to leave Hawaii and go traveling for at least a year,
I knew I was making a big decision, and changing my whole way of life. But I didn’t know how wide-ranging and complete the change would be.

I’m now nearly 3 years into my “On the Road” lifestyle and I’ve spent less than half that time actually on the road. But it turns out On the Road has meanings that didn’t even occur to me when I began this journey.

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I took this shot of Puerto Vallarta just a few minutes before sitting down to write this blog entry. This is about 2 blocks from the hostel where I'm staying, the Vallarta Sun (I recommend it!).

I’m writing this from a hostel in Puerto Vallarta, Mexico, where I’ve been for a couple of weeks. As you know if you’ve been following this blog, I moved my home and studio to Nebraska in April 2012 for a variety of reasons, primarily ease of travel and to take advantage of the great support system that is my sister Kelly.

Moving from Hawaii to Nebraska was not something I ever thought I would do, but it turned out to be the perfect next step for me. For one thing, I needed to reconnect with family, even more than I consciously realized. For another, moving to a quiet place like Lincoln, Nebraska where I don’t have a social network or a beach or a favorite bar meant much more time spent in the studio. And that has led to quantum leaps in my painting, both in terms of productivity and creative growth.

As I realized what a surprisingly great place Lincoln, Nebraska was for me painting-wise, and as I fell in love with my new studio there, a new plan evolved: I would stay in Lincoln and paint from April through October or so, then when it started getting cold, I would travel in warm places throughout the winter.


THE WINTER ESCAPE PLAN, PART 1


Winter 2012 was my first try at doing this. I went to the Dominican Republic for 5 weeks in November and December, and as you know from this blog, had a great time and photographed lots of new models. It was my intention to keep traveling until spring, but I went back to Nebraska for Christmas–and lost my momentum.

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One of my photographs from the Dominican Republic. I spent 5 weeks here in Nov-Dec. 2012.

I’ve learned, especially recently, that traveling is all about just going ahead and doing it, trusting that somehow the money to pay for it will appear. It always does work out, often in amazing, miraculous ways. It’s about trust. But last winter, I lost that trust, lost my nerve, and out of financial fear, ended up staying in Nebraska through the miserable months of January, February and March. By the time spring finally arrived, I was clear that whatever it took, I was not going to spend another winter in Nebraska!

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This is what my backyard looked like in January 2012.

I should mention here that despite the discomfort of that period, it was a happy and productive time for me in terms of painting because I was in my studio working most of the time. It also turned to have been a good thing that I had stayed in Lincoln for the winter because I was able to see my mother more often.


BEING THERE FOR FAMILY


I had been visiting my mother (known to everyone in the family as PJ) frequently during this period. She had dementia and was in a memory-care nursing home in Lincoln. I realized again how valuable and life-changing my Quantum-Touch training was during this time. Where most people’s experience of watching the progress of dementia or Alzheimer’s in a loved one is painful, even devastating, my experience was entirely different.

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Here I am running energy on PJ in early 2013.

Usually when I visited PJ I would sit down on the bed and place my hands on her body and “run energy” into her for 30 to 45 minutes. She would always become very calm and relaxed when I did this, and often she would fall asleep. The connection I felt with her during these times was probably the strongest, most loving and most intimate I’d experienced with her since I was a baby.

PJ fell and broke her hip in June, and we think she had a stroke simultaneously with this. She died 3 days later. This was a difficult period where she was in intensive care and had her family around her, but she couldn’t communicate. I was able to do energy work on her during this time and experience her body shutting down while I was connected to her. I strongly believe I was able to ease her pain and discomfort during this time, and when she made her final transition out of the body, I felt no sorrow, only a sense of rightness and completion.

I was and am deeply grateful for the fateful decisions I’ve made which allowed me to be in the right place, at the right time, with the right training, to have this experience of my mother’s death.

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With my sister Kelly during a short trip to Breckenridge to celebrate her entering a new and expanded phase in her life.

A couple of months later I had another experience of being in the right place at the right time to give my sister Kelly the support she needed to end a relationship that no longer served her. I have to admit this was also a transition that served me–I moved into the bedroom her ex-boyfriend vacated!


PAINTING


At around this time I rented what I thought was the perfect painting studio in downtown Lincoln, only to move again a couple of months later into a studio that turned out to be even more perfect. (Read about that studio, and the studio design that allowed me to be more productive and efficient than ever before, here.) (Read about the move into the new studio at Parrish here.)

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TOP: Studio 1, which lasted only 2 months. BOTTOM: Studio 2, in Lincoln's Parrish Studios, where I'm very happy and hope to stay for a while.

My painting continued to grow by leaps and bounds. In the last few years I’ve noticed my painting tends to jump between two threads: the Expressionist thread (lots of outlines, flat areas of color, distorted shapes), and the Loose Brushwork thread (loose brushwork, obviously, but a naturalistic approach that’s all about light and shadow). In July the Expressionist thread took off in kind of a new direction: Faces. I got inspired to paint big expressionist faces and had such a good time doing it I kept doing it for several months and eventually did about 25 of them.

I was additionally inspired by the fact that my collectors really liked them and they began selling immediately. (Unlike a lot of painters who feel every painting is their ‘child’ and they hate to let go of it, I tend to get energy from a painting’s being sold, and to be inspired to do more like it.)

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Some paintings from my FACES Series. The phase shown here lasted from about August through October 2013.

Along about late September, with cold weather approaching, I started putting my winter travel plan into action. Without paying too much attention to how much (or how little) money appeared to be available for it, I made reservations for a flight to Rio de Janeiro. In the days before I left, I had another burst of painting inspiration, this time in the Loose Brushwork thread.

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In November 2013, just before taking off for the winter, I did a series of excitingly loose, energetic paintings in what I call the Loose Brushwork thread.


THE WINTER ESCAPE PLAN, PART 2


I left for Brazil on November 12th for a 5-week stay. I was nervous about how things would unfold financially, but decided not to worry about it, to just trust instead. As usual that was a good decision and everything went fine.

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Two of the many wonderful things that happened during my late 2013 5-week stay in Rio de Janeiro: 1, slacklining with Oliver, and 2, completing a 2-year project, the e-book Finding and Photographing the Male Nude.

I had a great time in Brazil, completing a long-term project that I had actually begun 2 years previous on a visit to Brazil, an e-book titled Finding and Photographing the Male Nude. During my time in Rio, I also discovering an exciting and challenging new sport, slacklining.

I flew back to Nebraska to spend Christmas with my family before heading to Hawaii the day before New Year’s.

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Simonson in Hawaii January 2014: Top, hanging out with old friends and new friends; Bottom, at my old stomping grounds, Queen's Surf in Waikiki.

My good friend Allen Hanaike graciously offered me a place to stay, which allowed me to spend a month in Hawaii–my first time back in almost 2 years. I left for Hawaii on January 30, not really knowing how I would pay my ongoing bills while there, but trusting. Within days after arriving for my stay at Allen’s house, out of the blue, I received a $2000 illustration commission from a fellow houseguest who is the Art Director for a California magazine. Trust rewarded, again.

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Some of the illustrations I did as part of a commission I got while in Hawaii (I did this entire commission digitally, drawing on the computer using a Wacom tablet).

While I was in Hawaii I pondered the next leg of my escape from winter. I chose Puerto Vallarta, and flew here for a month-long stay on February 15. I’ve now been here for 10 days and every day has been sunny and 85 degrees. I am loving it. Staying in a hostel has its challenges as always, but more than makes up for it with the people I meet and the great connections that happen.

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Scenes from my Puerto Vallarta stay in February-March 2014.

When I’m not taking excursions and shooting photographs, I’m working on my next e-book and some digital paintings. Oh, and going out with new friends in the evenings.

I’ll return to Nebraska in late March. It will still be cold, but most of the winter will be past. I’m loving being in the tropics but there is a very strong pull to get back into the studio and paint again.

A lot has changed since I began my “On the Road” journey. What I’m realizing is that when I let go of most of my possessions and took off for a year on the road, all that was just a metaphor for the real journey going on inside me. Choosing constant change and adventure meant choosing a different kind of inner life, where I had to rise to a new level of adaptability and staying in the moment. By opening up in this way, I made myself available to take whatever path presented itself, whether it was staying in a hostel in Mexico, finding new models in the Dominican Republic, learning slacklining in Rio, or assisting a loved one in transitioning from one phase of existence to another.

I was practicing slacklining in Hawaii a few weeks ago and it occurred to me that one of the reasons I’m so drawn to it is because it’s the perfect metaphor for my life. I call this blog On the Road, but it could just as easily be called Walking the Tightrope.

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Click here to access all entries in Douglas Simonson’s “On the Road” Series


Those of you who have been following my journey via my blog and my e-mail announcements know that I’m on the road for a year.

You know how life is—the more you plan, the more surprises come along. The biggest surprise is that I don’t feel rooted to Hawaii anymore. Now that I’ve set myself free to “live” anywhere in the world, Hawaii suddenly seems like a very out-of-the-way and inconvenient place to keep my office.


YOU’RE GOING WHERE??

Long story short, I’m selling my Waikiki apartment, closing my office and moving everything to Lincoln, Nebraska.

WHAT?? LINCOLN, NEBRASKA?? ARE YOU OUT OF YOUR F**ING MIND??

Well, yes, that’s what I would have said a year ago. But now that the whole world is mine (it always was, I just didn’t know it until now), it doesn’t matter so much where I make my pit stops.

And my family, which has always been very much there for me, is mostly in and around Lincoln, especially my sister Kelly, who’s always been my biggest cheerleader and BFF. There’s a lot to be said for having a solid support system already in place.

I’ll rent an apartment which will be my new headquarters with office, studio and a small living space all in one. Also, as you will have guessed, Lincoln, Nebraska is a lot less expensive than Honolulu, Hawaii! And that makes a lot of sense now that I’ll be on the road for all but a few days of the year.


MOVING OUT AND GETTING RID OF MORE STUFF

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Help me lighten my load!

All this means that it’s time to get rid of even more stuff. I’ve been involved in this process now for almost 9 months, and I just keep getting lighter and lighter. This is a very good thing.

I’m having a series of sales to sell art and other office items I don’t want to move. I could call them “Clearance Sales” but I think prefer to call them “LIGHTENING THE LOAD” Sales. If you’re on my e-mail list you’ll hear about these sales. (If you’re not, click here to add yourself. Don’t worry, we don’t share this list and we only send about 3 e-mails a month.)

The first of the “Lightening the Load” sales may already be underway as you’re reading this. Check out my website if you’re curious!


LEAVING HOME—AND GOING HOME

I’d be lying if I said that leaving Hawaii wasn’t an emotional thing for me. I’ve spent most of my life here, and I will always love it. But one of the bigger surprises of my “On the Road” adventure so far has been how little I miss Hawaii!

Yeah, that surprised me. But I guess the fact that I now feel at home anywhere I’m at, means I don’t have a home to be homesick for. And living in Hawaii for 40 years, it turns out, is enough. I made my life there, and loved it, and now that I’m in a whole new phase, Hawaii feels very much like my past already. And I don’t want to live in the past! (Of course, that doesn’t mean I can’t visit anytime I feel like it.)

So begins the next phase of the adventure. I’ll be in Hawaii for at least another couple of months—there are a lot of loose ends to tie up. And of course through all of this, I’m still producing art, so watch to see what is created by all this excited new energy!

I can’t wait to get to Nebraska (never thought I’d write those words!) and set up my new home and office, so that I can head out into the world again! One of the things I like about my new location is that it’s much closer to Brazil—as well as the rest of South America, Central America and the Caribbean—all areas I can’t wait to explore more. Hmmm…Santo Domingo? Havana? Bogotá? Ah, the possibilities—and the beautiful men—that await!




If you’d like to send some support my way and help make sure the art and the blogs keep coming, use this button. Or, do something just as wonderful and visit my website and become a Simonson collector. You’ll support me in the best possible way, and you’ll get to own some beautiful art too! Many thanks!


Click here to access all entries in Douglas Simonson’s “On the Road” Series


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Click here to access all entries in Douglas Simonson’s “On the Road” Series

October 28, 2011

I came back to Honolulu for a few weeks between travels (see the “On the Road” links above if you’d like to read more about that) and one of my goals was to get some painting done.

Frustratingly, so many other things demanded my attention in the short time I was on the island that it was difficult to find time to draw or paint. But I did find some! I did 3 paintings while I was in Hawaii.

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There was something compellingly beautiful to me of the profile of Steve Chen in the center of this sketchbook page---I wanted to make it into a painting.

I’m drawing in my sketchbook a lot while traveling, and the first painting I did was inspired by a small sketch I did of Steve Chen’s face. (Steve is my newest model and you can see photos and read the story of my Malibu photoshoot with him here.)

This was the first time I’d painted in several weeks (it’s just not practical to take all my painting stuff on the road with me), and I was pleasantly surprised at how well it came together. Painting heads, or more specifically faces, has always been my favorite thing and it was nice to just be able to focus on that.

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This acrylic-on-paper work was a joy to paint. Everything just flowed. I titled it “Boy in Shadow.” It’s not a portrait of Steve Chen, but it was inspired by him. (Click on the image above to see it on my website.)

It turned out to be a couple more weeks before I was able to find time to paint again. I used to feel guilty when I couldn’t get as much painting and drawing done as it seemed I should, but this, like so many things in my life, is changing. I’m finding more and more that when it’s time to paint, it will happen. It’s not about trying hard to make it happen, it’s about allowing it to happen.

That’s how my next painting came to be. I found myself sketching from my Brazil photographs of Baiano and almost immediately, I had a sketch that really worked and I knew it could become a nice painting.

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I loved the energy of the photograph and the sketch that came from it, and had an idea it could make a nice painting. Click on the image to see the sketch on my website.

I approached this painting in my usual way, transferring the drawing to the canvas, then doing a purple wash over it, then painting the outlines in black paint before applying color (look at any of my previous step-by-step painting entries for a review of all that). However, once I began laying in the actual colors, something was different. I was MUCH LESS CAREFUL. I don’t mean careless, not at all; I mean I simply didn’t bother much about whether I was slopping paint into the wrong areas or covering up some of the underlying outlines. I didn’t bother with it because I knew I’d be cleaning up anything that needed cleaning up much later, when I was doing the finishing touches on the painting.

But because I was so much less careful than usual when I was laying in the colors, there was a LOT MORE ENERGY in the brushstrokes and in the overall painting. This was a wonderful development because, as you know if you’ve read previous painting entries, it’s always a challenge for me to loosen up and keep the painting bold and energetic. And the truth is, it’s really not even necessary to be as careful about where the paint goes at this relatively early stage of the painting. It had just been fear, or you could say lack of trust in myself, that kept me from letting loose this much in the past.

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Here's the finished painting, entitled Tiririca. Click on the image to see this item on my website.

The finished painting rewarded my boldness. Not only is it filled with dynamic energy, it also took a lot less time to finish. It’s not always true that less time spent equals better work, but here that was definitely the case. The older and more experienced in life I get, the more I realize that the best results always come when you can find that place of effortlessness and fluidity.

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This is one of a series of shots I have of Kaimana paddling on a surfboard which I used for the next painting.

It was another week or two before another painting “happened.” This was just a few days before I took off for another 3 months of traveling so I was glad this one came along in time for me to finish it before leaving. I had been thinking about a stylized, almost decorative painting of a nude surfer. So I began doing sketches from a series of Kaimana photos.

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Here and below, some of the exploratory sketches I did for the surfer painting. Click on the image to see this item on my website.

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Click on the image to see this item on my website.

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Click on the image to see this item on my website.

This painting experience was a lot like the previous one, where I found myself much more willing to just take chances and let the paint go where it wanted to. Again there was an effortlessness to the painting, and it took less time than usual.

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Here's the result, a painting I call 'Paddling.' Click on the image to see this item on my website.

My experience with these most recent paintings was wonderful and it seems clear to me that this is just another unexpected benefit of my new lifestyle. Living as I do now, where I often don’t know where I’ll be staying or what I’ll be doing tomorrow, let alone a week or month from now, requires a lot more thinking on my feet and trust in myself. It consistently challenges me and forces me to move through my fears. It’s not surprising to discover that living a life that requires more courage and daring is translating into more courage and daring in my work!

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Click here to access all entries in Douglas Simonson’s “On the Road” Series


October 25, 2011

When I decided to go traveling for a year I really thought that I could travel for like two and half to three months at a shot, then come back to Hawaii for a week or 10 days, just catch up on stuff, and then take off for another two and half to three months.

Nice plan!

But totally out of touch with reality.

I have now realized, after my first quick Hawaii check-in has turned into a five-week stay, during which I have worked 12 to 14 hour days most of the time, that it’s not that simple.

I forgot that I would have 3 months of stuff to catch up on every time I come home!

Also, when I returned to Hawaii on September 15 after 2+ months of traveling, my apartment in Waikiki still hadn’t been rented. This was puzzling to me. It’s a great apartment, great location, and the property management people seemed to be doing a good job of showing it.

It was frustrating because I’d been counting on that rental income. On the other hand, it
was nice to have a place to stay while back in Hawaii.

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At Hula's with Steph.

Then, about a week after my return, I went out for a drink with my friend Steph (read about Steph and our 2008 Brazil travels together here). I told her I still hadn’t rented my apartment and she got excited. She and her friend Brian had been looking for a place in Waikiki…you can figure out the rest!

(Now I understood why the apartment hadn’t rented for 3 months…it was waiting for Steph!)

That was the perfect solution to one problem, but it created another. They wanted to move in immediately, which meant I no longer had a place to stay, and no immediate prospects for one.

But y’know, I wasn’t worried. One thing about my new lifestyle: it’s making me a lot more comfortable with uncertainty. My first 9 weeks on the road, traveling across North America and back again, was like the path of a tropical storm: unpredictable, erratic, and totally dependent on the winds, temperature and currents for direction and destination.

I’d been kind of apprehensive when I started my long-term traveling, with a make-it-up-as-you-go approach. I wasn’t sure I really had the balls to live this way!

Turns out I do. In fact, so far I’m loving it. One of the best, and least-expected, benefits of living this way, being open to circumstance and trusting rather than knowing what’s coming next, is that wonderful, unexpected things keep coming my way.

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With my friends Richard and Michele in Los Angeles

In LA, standing in line at Whole Foods in Brentwood, I looked behind me to see my publisher friend Richard, an old friend from Hawaii. I’d been trying to reconnect with him online for the past year or so. I got a chance to meet him and his wife Michele, who is lovely and already a friend, for lunch and catching up.

In Lincoln, Nebraska, where I hardly expected it, I met a woman who, like me, is just beginning to discover her abilities as an energy worker and healer. I spent a whole day with Bonnie and we not only did healing work on each other, we both learned a lot.

In New Orleans, I got on the shuttle for the airport in the rainy pitch-black of 3:20 a.m. and met Kath, a beautiful woman from Australia who is a seeker in many of the same ways as I am. She was on her way to an adventure in Cuba. We talked all the way to the airport, then found ourselves on the same flight, in seats next to each other, and again, talked all the way to Miami. We parted with a big hug and we’re now in touch via Facebook.

In LA, I reconnected with an old boyfriend who is now a dear friend, and has been a flight attendant for the past 20 years. When he heard about my new traveling lifestyle, he set me up with a buddy pass on his airline.

A friend I’ve known since my early days in Hawaii happened to be in LA when I was and saw me on Facebook and invited me to lunch. It was a wonderful reconnection and great to see him. When we said goodbye, he gave me an envelope and said, Open this later. When I got home, I opened it, and out fell $1400 in 100-dollar bills. It turns out that 30 years ago in Hawaii, I had loaned him $500 to buy a motorcycle. I’d forgotten long ago, but he not only remembered, he repaid me plus 30 years of interest.

I almost fell over when I opened that envelope, because I’d been wondering how I would manage, moneywise, over the next couple of months.

It seems the more uncertain my life is, the more space there is for unexpected blessings. I thought it would be a challenge to live this way, and certainly at times it is, but mostly I just feel blessed, and I love the way I’m learning to trust.

So I wasn’t worried about finding a place to stay even though it was Sunday night and my new tenants were moving in on Monday and I did not want to be the landlord crashing on the living-room floor! So I decided I would go out that evening, and just trust that things would fall into place.

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At Honolulu's La Mariana Restaurant with friends Allen and Joe a few days before leaving for Brazil. Allen is the angel who gave me a place to stay while in Honolulu

Within a half-hour of my arriving at the bar, I ran into a friend of mine named Allen, who happened to have an empty house that needed housesitting…for 3 weeks, which was just the amount of time I would be on the island. He even had a car I could use.

Believe me when I say this was not the type of thing that used to happen to me when I was living a safe, conservative life, staying in one place and playing it relatively safe.

I spent the next 3 weeks in Honolulu drawing, painting, writing, and doing the million things required of me before taking off again. And today, as I write this from seat 13A on American Airlines flight 162 from Honolulu to LA, I feel ready for the next phase of the adventure.

(Another unexpected plus just now: one of the flight attendants is an old friend, and he’s been sending me free beer and anything else I want.)

ADDENDUM:

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Kurt and Jacob in rainy L.A.

I’m now in the airport waiting for my flight to Dallas where I connect to my flight for São Paulo. I’ve just spent a wonderful couple of days in LA with my friend Kurt Brown. Kurt and I got a chance to work together on his first e-book (watch for that on my site!) It was great spending time with Kurt and his roommate Jacob, despite the rainy weather while I was there.

So I’m about to get on the plane now. I just checked my e-mail and I see that my friend Dave, who’ll be my host in São Paulo, is throwing a party for me day after tomorrow. Can’t wait!

(Be watching for upcoming Letters from Brazil!)

Letter fm LA

Click here to access all entries in Douglas Simonson’s “On the Road” Series


PART 1: ESCAPE from STUFF!

I am in Los Angeles, having finally made my escape from Hawaii.

I don’t mean that quite like it sounds. It’s not about an escape from Hawaii. The “escape” has more to do with getting rid of possessions which had begun to possess me. The final days before I left were all about dealing with all that…STUFF. I was selling stuff, giving away stuff, throwing away stuff, and still keeping way too much stuff. There are boxes and boxes of it at my office.

But there’s a plan to get rid of it.

Each time I come back for a week-long check-in visit to Hawaii (the first one will be in September), I will sort through more of it and get rid of more of it. I’ve realized getting rid of stuff is a major theme for me these days.

So…going on this year-long journey is not so much about the travel as about the LETTING GO and LIGHTENING UP.

And even though I headed for the airport on Sunday with a huge suitcase weighing 60 lbs. and a very stuffed carry-on, it feels great to know this is all the stuff I need to have in my life right now. Plus I will lighten and refine the load during my travels, as it becomes clearer what’s really essential and what’s not.

PART 2: REUNION WITH GINA AND RAMSES IN L.A.

GINA has been a significant part of my artistic life ever since that day in Honolulu in 1986 when the phone rang and I picked it up to hear a female voice saying, “Hi, you don’t know me but I’ve seen your art and my boyfriend would be a PERFECT MODEL for you!” The boyfriend was indeed a perfect model. He is long gone, but Gina and I are still friends 25 years later, and when I’m in LA she is the person I stay with.

One of our best and most memorable times together was in Brazil in 2004 when I did my first Brazilian male-nude photo shoot as a direct result of Gina’s finding a boy on the beach who became my Rio talent scout. My friend Ramses was also on that trip, and the three of us totally bonded as a result of our Brazilian adventure together.

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This is us in Brazil in 2004: Luiz, Gina, Ramses, Douglas. (Luiz, also known as Gui, is the Brazilian boy Gina met by chance on the beach who became my Brazil talent scout and 'events coordinator'. He's an actor in Canada these days.)

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Ramses and Gina on the beach at Ipanema during our Brazil trip.

As it turns out, Ramses is on the West Coast at the moment, and has altered his plans so he can come to LA and hang out with us. So it’s a big reunion and the three of us are having a great time hanging out, catching up, and having some new adventures!

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This is us in LA in 2011. Gina, Gina's cousin AJ, Ramses, Douglas. (Fiesta Cantina on Santa Monica)

PART 3: CREATING ART ON THE ROAD

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On the left, a pencil sketch of some palm trees I saw while walking to get groceries in Brentwood. On the right, a colored-pencil drawing of Nohea I've been working on that's about 60% finished.

It’s been a challenge finding time to draw, since I’m staying with two of my favorite people in the world to hang out with. But I’ve been managing. I’ve started a colored-pencil drawing of Nohea that I really like so far. I spend a few hours on it each day. Also did a little sketch of L.A. palm trees.

PART 4: NEEDING SOME ALONE TIME: SETTING BOUNDARIES

Being on the road means spending a lot more time in other people’s spaces.

I’ve been having a wonderful time hanging with Gina and Ramses but I’m realizing something. I am the kind of person who loves being with people, but I can’t do it for too long at a time. I gather energy and find myself by being alone. I get my best ideas, have my clearest reflections and am at my most creative when I’m by myself. Usually I have a LOT of alone time, and I like it. Now that I’m traveling I find I’m with people much of the time and I’m not used to that.

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Even though I was having an emotional meltdown I still caught some nice images of our evening in Santa Monica on my iPhone.

Last night I had a kind of emotional meltdown because I went out (to the Santa Monica Pier and Promenade area)with Gina and Ramses even though I was already in need of alone time and hadn’t taken it. It was not pretty, but fortunately all was forgiven and we’re all still friends. I’m learning that it’s okay to say, “Guys, I need some alone time,” and go for a walk or to Starbucks or, if one’s available, just shut myself in a room for awhile.

Sometimes I just need to recharge my batteries!

PART 5: PHOTOGRAPHERS AND MODELS

KURT BROWN AND A BEAUTIFUL NEW MODEL


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I went to lunch with my friend Kurt Brown, a terrific photographer who lives here in LA and who also specializes in the male nude. We talked about everything, but especially models and shooting them and marketing ourselves. I told him all about my e-books, how much fun they are to create and how well they’re selling, and I may be working with him on producing an e-book of his photographs. We also shared lunch with Darius Dio, a stunning 26-year-old who models all over the world (see photos above). He’s a very down-to-earth, easy-going guy, and we talked about working together sometime soon.

PHOTO SHOOT WITH STEVE CHEN

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I’m meeting with Steve Chen (shown above in a shot by David Smith), a bodybuilder who lives here in LA, on Monday, and if all goes well, we’ll do a shoot on Wednesday, probably in Malibu. Steve has worked with my friend Kurt Brown in LA and my friend David Smith in Hawaii. I’m looking forward to photographing his beautiful face and body in the California sun.

PART 6: LOS ANGELES IS F**KING COLD!

I am always amazed at how COLD it is in LA. It seems the whole world has this idea that LA is a hot, sunny place where you can run around in a swimsuit all the time. That sure hasn’t ever been my experience. I always pack a jacket and/or a sweater when I’m coming to LA. It’s July and I just went out to get some groceries and even in the middle of a sunny day I got chilly as soon as I stepped into the shade. And at night, forget it. You will need to bundle up.

I’m not like most people, I guess. I actually enjoy 85-90 degrees and high humidity and no breeze.

With Albuquerque in July being my next stop, I will probably get to find out what it’s like at 100 degrees and NO humidity. Bring it!


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Before i take off

 

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Okay, it’s June 28th. This was my projected date for flying to LA and beginning “the adventure.”

Well, two things. One, this kind of thing usually takes longer than expected, so I’m fine with that. Two, I have a funny feeling “the adventure” has already begun.

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Sold my car and the money’s in the bank. It went to really nice people who love my Honda Element as much as I did, and are very happy to have it. I’m happy to be that much lighter. I got a nondescript little rental today and I’m zipping around in that, perfectly happy. Driving a rented car always makes me feel like I’m on vacation.

The apartment has not yet found a tenant. I’m not concerned. The right person always comes along at the right time. I’m a little concerned about how many plants remain in the apartment…but they really add a lot and I like having them there when the apartment is being shown. I’m hoping the new tenant will be a plants person and will be happy to have them.

Now that almost everything is in place, things aren’t so crazy rushed and I have a little bit more time…so maybe I can get a little drawing and painting done before I take off. In fact I may delay my takeoff a bit just so that I can do some painting in my “new” in-office studio. And I’m working on ideas for a new e-book (or two).

There’s also a July 4 pool party at my friends Chris and Will’s which is always one of the best parties of the year (they live in the old Lana Turner estate on Diamond Head and have a huge pool and one of the best party venues of anyone I know, plus they’re good friends and the vibes are always really great there)–and I may stay around so I can go to that. Let’s see, party July 4, recover July 5, fly to LA on July 6? Mmm, maybe.

I said the adventure has already begun, and it has. I really like the looseness and liberty I’m feeling, like being able to leave when I feel like it rather than having to match up to some external schedule…and having only a vague idea of where I’m going and when, and having it be okay that it’s not written in stone, and might change at a moment’s notice. And having some extra money from the sale of the car removes any money pressure I was feeling. Ah, freedom!

That feeling of lightness and freedom makes creating art a lot easier too. We’ll see what I can create before I fly away…

 

NEXT CHAPTER: Letter from L.A.

Prepping for road blkborder

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Three weeks after the momentous decision talked about in my “On Chucking It All and Going On the Road” entry, things have moved along dramatically, and the shape of my life is changing before my eyes.

My studio has now been moved into my office and I’m still unpacking boxes and setting things up. It’ll be a few more days before I can actually start drawing and painting again, but things are moving along.

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A few days ago this was my studio.

I’ve also been selling a lot of stuff—books, CDs, DVDs, luggage, kitchenware, odds and ends. Feels good to be “lightening up.”

The property manager I found has begun advertising the apartment for rent and dealing with prospective tenants. I’m dealing with the limbo state of living between my steadily-less-homelike apartment and my in-office studio, and although I’m impatient to actually get all this preparation out of the way and be on the road, there’s so much to do every day I’m far from bored.

There are long lists of things to do every day, but it’s all getting done. I’ve finally learned, when faced with huge piles of to-do’s between myself and the goal, to not think about the enormity of the task, but just remind myself, sometimes forcefully, “I don’t have to know how everything will get done. I just need to do this one thing I’m doing now.” Amazing how well this works.

One item got taken care of in an unexpected way when the beautiful 21-year-old dancer who had agreed to model for me before I left messaged me on Facebook saying “I don’t feel comfortable modeling nude”. This is after an in-person interview where we talked about every aspect of the gig including my being absolutely clear that it was full-frontal nudity and making sure that he was fine with it.

Oh well. When I was 21 I didn’t always know what I wanted either. (I sometimes don’t now!)

Although I do know, with more clarity than I’ve had about a lot of things, that what I’m doing right now is absolutely what I want. As the day for my departure nears, it all still feels totally right. (Not that I don’t also get nervous and frightened at moments…like sometimes I’ll wake up in the middle of the night in a cold sweat…but I just breathe deeply and remind myself that if it wasn’t scary, it wouldn’t be exciting.)

Anyway, a few days from now, when all this minutiae is tidied up, I’ll get on the plane for Los Angeles, where I’ll spend a couple of weeks with my friend Gina. Once I’m there and finally away from Hawaii and my previous life, I hope I’ll be able to decompress and see more clearly what’s next. Although I do have the first couple of months roughly laid out. After L.A. is Albuquerque, where I’ll visit my brother and his wife, then I’ll head up to Nebraska where the rest of the family lives. While I’m doing this California-New Mexico-Nebraska triangle, my passport will be in California getting its Brazil visa renewed so I can head there 2 or 3 months from now. A friend has volunteered his couch in São Paulo.

I also might end up in Australia in October, meeting some Hawaii friends there.

And Puerto Vallarta is calling me again, too…

About travel and living in Hawaii: There are a lot of destinations I’ve fantasized about over the years but was too often stopped by the extra time and money required to get there from these isolated islands. I’m looking forward to being in places that are adjacent to my next exciting adventure spot, rather than always having to deal with the 5-hour flight just to get to a starting point for your journey. I love Hawaii and I’ll always come home to it, but I sure like the idea of already being in New York, for example, when I decide to go to Europe.

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I've already sold quite a few of my plants, but I had to move all the ones I still have off the floor so the carpets can be shampooed today.

I’m writing this in the midst of chaos, by the way. The carpet-cleaning people are coming an hour from now and as soon as I finish this, I have to drag all the furniture onto the non-carpeted areas of the apartment so they can do their shampoo thing. Meanwhile I’ll be taking my Honda Element to the carwash to get it spiffed up so I can photograph it and sell it on Craigslist. That’s the last big thing to take care of before I leave.

Still haven’t bought my ticket but that will happen in the next few days. My next post, barring unforeseen happenings, will be either just before I’ve left, or just after arriving in LA. Or maybe it’ll get written on the plane…