Archive for the ‘Travel’ Category

Walkingthetightrope header

February 28, 2014

CONTENTS


• A QUICK RE-CAP
• THE WINTER ESCAPE PLAN, PART 1
• BEING THERE FOR FAMILY
• PAINTING
• THE WINTER ESCAPE PLAN, PART 2

(Note: the above titles are clickable)


A QUICK RE-CAP



Back in June 2011 when I made the decision to leave Hawaii and go traveling for at least a year,
I knew I was making a big decision, and changing my whole way of life. But I didn’t know how wide-ranging and complete the change would be.

I’m now nearly 3 years into my “On the Road” lifestyle and I’ve spent less than half that time actually on the road. But it turns out On the Road has meanings that didn’t even occur to me when I began this journey.

PV beachshot01

I took this shot of Puerto Vallarta just a few minutes before sitting down to write this blog entry. This is about 2 blocks from the hostel where I'm staying, the Vallarta Sun (I recommend it!).

I’m writing this from a hostel in Puerto Vallarta, Mexico, where I’ve been for a couple of weeks. As you know if you’ve been following this blog, I moved my home and studio to Nebraska in April 2012 for a variety of reasons, primarily ease of travel and to take advantage of the great support system that is my sister Kelly.

Moving from Hawaii to Nebraska was not something I ever thought I would do, but it turned out to be the perfect next step for me. For one thing, I needed to reconnect with family, even more than I consciously realized. For another, moving to a quiet place like Lincoln, Nebraska where I don’t have a social network or a beach or a favorite bar meant much more time spent in the studio. And that has led to quantum leaps in my painting, both in terms of productivity and creative growth.

As I realized what a surprisingly great place Lincoln, Nebraska was for me painting-wise, and as I fell in love with my new studio there, a new plan evolved: I would stay in Lincoln and paint from April through October or so, then when it started getting cold, I would travel in warm places throughout the winter.


THE WINTER ESCAPE PLAN, PART 1


Winter 2012 was my first try at doing this. I went to the Dominican Republic for 5 weeks in November and December, and as you know from this blog, had a great time and photographed lots of new models. It was my intention to keep traveling until spring, but I went back to Nebraska for Christmas–and lost my momentum.

Las terrenas tweak

One of my photographs from the Dominican Republic. I spent 5 weeks here in Nov-Dec. 2012.

I’ve learned, especially recently, that traveling is all about just going ahead and doing it, trusting that somehow the money to pay for it will appear. It always does work out, often in amazing, miraculous ways. It’s about trust. But last winter, I lost that trust, lost my nerve, and out of financial fear, ended up staying in Nebraska through the miserable months of January, February and March. By the time spring finally arrived, I was clear that whatever it took, I was not going to spend another winter in Nebraska!

Snowy backyard

This is what my backyard looked like in January 2012.

I should mention here that despite the discomfort of that period, it was a happy and productive time for me in terms of painting because I was in my studio working most of the time. It also turned to have been a good thing that I had stayed in Lincoln for the winter because I was able to see my mother more often.


BEING THERE FOR FAMILY


I had been visiting my mother (known to everyone in the family as PJ) frequently during this period. She had dementia and was in a memory-care nursing home in Lincoln. I realized again how valuable and life-changing my Quantum-Touch training was during this time. Where most people’s experience of watching the progress of dementia or Alzheimer’s in a loved one is painful, even devastating, my experience was entirely different.

Ds runs energy PJ

Here I am running energy on PJ in early 2013.

Usually when I visited PJ I would sit down on the bed and place my hands on her body and “run energy” into her for 30 to 45 minutes. She would always become very calm and relaxed when I did this, and often she would fall asleep. The connection I felt with her during these times was probably the strongest, most loving and most intimate I’d experienced with her since I was a baby.

PJ fell and broke her hip in June, and we think she had a stroke simultaneously with this. She died 3 days later. This was a difficult period where she was in intensive care and had her family around her, but she couldn’t communicate. I was able to do energy work on her during this time and experience her body shutting down while I was connected to her. I strongly believe I was able to ease her pain and discomfort during this time, and when she made her final transition out of the body, I felt no sorrow, only a sense of rightness and completion.

I was and am deeply grateful for the fateful decisions I’ve made which allowed me to be in the right place, at the right time, with the right training, to have this experience of my mother’s death.

Ds kelly breckenridge

With my sister Kelly during a short trip to Breckenridge to celebrate her entering a new and expanded phase in her life.

A couple of months later I had another experience of being in the right place at the right time to give my sister Kelly the support she needed to end a relationship that no longer served her. I have to admit this was also a transition that served me–I moved into the bedroom her ex-boyfriend vacated!


PAINTING


At around this time I rented what I thought was the perfect painting studio in downtown Lincoln, only to move again a couple of months later into a studio that turned out to be even more perfect. (Read about that studio, and the studio design that allowed me to be more productive and efficient than ever before, here.) (Read about the move into the new studio at Parrish here.)

Studios 1 and 2

TOP: Studio 1, which lasted only 2 months. BOTTOM: Studio 2, in Lincoln's Parrish Studios, where I'm very happy and hope to stay for a while.

My painting continued to grow by leaps and bounds. In the last few years I’ve noticed my painting tends to jump between two threads: the Expressionist thread (lots of outlines, flat areas of color, distorted shapes), and the Loose Brushwork thread (loose brushwork, obviously, but a naturalistic approach that’s all about light and shadow). In July the Expressionist thread took off in kind of a new direction: Faces. I got inspired to paint big expressionist faces and had such a good time doing it I kept doing it for several months and eventually did about 25 of them.

I was additionally inspired by the fact that my collectors really liked them and they began selling immediately. (Unlike a lot of painters who feel every painting is their ‘child’ and they hate to let go of it, I tend to get energy from a painting’s being sold, and to be inspired to do more like it.)

Faces 6up

Some paintings from my FACES Series. The phase shown here lasted from about August through October 2013.

Along about late September, with cold weather approaching, I started putting my winter travel plan into action. Without paying too much attention to how much (or how little) money appeared to be available for it, I made reservations for a flight to Rio de Janeiro. In the days before I left, I had another burst of painting inspiration, this time in the Loose Brushwork thread.

Loosebrushwork 3up

In November 2013, just before taking off for the winter, I did a series of excitingly loose, energetic paintings in what I call the Loose Brushwork thread.


THE WINTER ESCAPE PLAN, PART 2


I left for Brazil on November 12th for a 5-week stay. I was nervous about how things would unfold financially, but decided not to worry about it, to just trust instead. As usual that was a good decision and everything went fine.

Slacklining photomalenude ebook

Two of the many wonderful things that happened during my late 2013 5-week stay in Rio de Janeiro: 1, slacklining with Oliver, and 2, completing a 2-year project, the e-book Finding and Photographing the Male Nude.

I had a great time in Brazil, completing a long-term project that I had actually begun 2 years previous on a visit to Brazil, an e-book titled Finding and Photographing the Male Nude. During my time in Rio, I also discovering an exciting and challenging new sport, slacklining.

I flew back to Nebraska to spend Christmas with my family before heading to Hawaii the day before New Year’s.

Ds hawaii jan2014 2up

Simonson in Hawaii January 2014: Top, hanging out with old friends and new friends; Bottom, at my old stomping grounds, Queen's Surf in Waikiki.

My good friend Allen Hanaike graciously offered me a place to stay, which allowed me to spend a month in Hawaii–my first time back in almost 2 years. I left for Hawaii on January 30, not really knowing how I would pay my ongoing bills while there, but trusting. Within days after arriving for my stay at Allen’s house, out of the blue, I received a $2000 illustration commission from a fellow houseguest who is the Art Director for a California magazine. Trust rewarded, again.

Psmag portraits 6up

Some of the illustrations I did as part of a commission I got while in Hawaii (I did this entire commission digitally, drawing on the computer using a Wacom tablet).

While I was in Hawaii I pondered the next leg of my escape from winter. I chose Puerto Vallarta, and flew here for a month-long stay on February 15. I’ve now been here for 10 days and every day has been sunny and 85 degrees. I am loving it. Staying in a hostel has its challenges as always, but more than makes up for it with the people I meet and the great connections that happen.

PVscenes 3up

Scenes from my Puerto Vallarta stay in February-March 2014.

When I’m not taking excursions and shooting photographs, I’m working on my next e-book and some digital paintings. Oh, and going out with new friends in the evenings.

I’ll return to Nebraska in late March. It will still be cold, but most of the winter will be past. I’m loving being in the tropics but there is a very strong pull to get back into the studio and paint again.

A lot has changed since I began my “On the Road” journey. What I’m realizing is that when I let go of most of my possessions and took off for a year on the road, all that was just a metaphor for the real journey going on inside me. Choosing constant change and adventure meant choosing a different kind of inner life, where I had to rise to a new level of adaptability and staying in the moment. By opening up in this way, I made myself available to take whatever path presented itself, whether it was staying in a hostel in Mexico, finding new models in the Dominican Republic, learning slacklining in Rio, or assisting a loved one in transitioning from one phase of existence to another.

I was practicing slacklining in Hawaii a few weeks ago and it occurred to me that one of the reasons I’m so drawn to it is because it’s the perfect metaphor for my life. I call this blog On the Road, but it could just as easily be called Walking the Tightrope.

Winter2013 everythingchanges

December 11, 2013

CHANGE continues to be the main theme in my life and career. In my October 3 blog entry, I shared about my wonderful new studio. Now, a couple of months later, everything has changed—again!

Just when I had gotten everything set up the way I liked it in the new studio, I got a call from the landlord. He had some bad news, he said. Plans had changed. No more artist’s studios—now they were going to rent out the entire space to a church. (A church??)

So I had 30 days to move out.

This was quite a surprise. But I was renting month-to-month, so I knew this kind of thing might happen. I just didn’t think it would happen so soon.

I was really unhappy—for about an hour. That’s how long it took me to find a positive approach and adapt to the situation. My original goal had been to get a studio in Parrish Studios, an old building in downtown Lincoln that is filled with artists and craftspeople and their studios and shops. I’d given up on that because they had no space. But just 2 days before my landlord called with the bad news, I’d gotten a voicemail from the guy at Parrish Studios telling me a space was opening up, and was I interested?

Well, I was now! I called him, it was still available, I went and saw the space the next day, and decided it would be just fine. Within one week of the call from my landlord, I had moved my studio into the new space.

It’s a bit smaller, but it’s still a very workable space. And the rent is less than half what I was paying in the previous place. And now I really am in the midst of a community of artists, which was what I wanted in the first place.

Parrish interior 3up C

Views of my new space at Parrish Studios in Lincoln, Nebraska. My rolling-workstation-with-homasote-panels system transferred nicely!

It was nice to discover that the setup I’d worked so hard to create in the first studio (with the homasote panels and the rolling workstation) was totally portable. Things were so well organized that by the second day in the new space, I was already painting and producing.

Which was a good thing, because I was now down to less than 3 weeks of painting time before leaving for Brazil!

First friday parrish DS

An added benefit to the new studio is the fact that the studio gets a lot of traffic each month on the First Friday Art Walk. Here I'm prepping for my first First Friday in Lincoln.

As the Nebraska air got colder, my eagerness for my approaching trip to South America grew. But I also found I was loving my new studio so much, I was hating the idea of leaving it. Not enough to change my plans, of course. But that’s the balance I’m trying to work out these days. I like having my studio in a place like Nebraska where it’s easy to focus on my work. But I need to have the stimulation of the tropics regularly as well.

I accomplished a lot in the days before leaving. Then, on November 12, I hopped on a plane and flew to Rio de Janeiro. As soon as I arrived I slipped into a different pace, a different way of life.

Ds w localtalent ipanema

Myself with some of the local talent at Ipanema Beach.

I’m writing this just a few days before my 5-week stay in Brazil ends. It’s been just what I needed. I do miss being able to paint, but it’s been good to focus on other things for awhile, like e-books, digital art, and writing.

It’s also good to be a social animal again. Nebraska is good for focusing on my art, but when I’m there I’m pretty solitary. In Brazil I stay in a hostel and I’m meeting tons of new people every day. I’m going to the beach, going out at night, hanging out with new friends, etc. The difference between my Nebraska life and this life is total. And I find I thrive on the difference.

Ds slacklining

At Ipanema, learning a new sport from new Swedish friend Oliver: Slacklining.

I’ve now been in Rio for a month and it’s been wonderful—but I find I’m starting to wear out a bit from all the social stuff. I’m ready to head back to my studio for a few weeks of painting (and solitude) to recharge my batteries.

I’ll stay in Nebraska for Christmas, then just before New Year’s I head for Honolulu. It will be my first visit in over a year and a half—the longest I’ve been away from Hawaii since the early 1970s. I’ll stay there for a month, catching up with friends and seeing what it’s like to be back home after so long away. February and March remain unplanned.

So the process of reinventing my life continues. The hardest part is finding a way to travel as much as I want to, and still produce art consistently. I like being in the tropics a lot of the time, but I don’t like being away from my studio. Yet recreating a painting studio wherever I am is a logistical challenge that still seems too daunting. At the moment I’m just allowing things to unfold, and I know sooner or later the next phase will reveal itself. I don’t know what it will look like. I only know it’ll be perfect.

Click on the image to go to the blog entry.

Header letter stodomingo 1
Letter from Santo Domingo, Part 1:
Arrival in the Dominican Republic,
and Photo Shoot with Muscleboy Jeison





Letter fm sto domingo part2 B
Letter from Santo Domingo, Part 2:
Dominican Boys Gone Wild





Ltr fm sto domingo part3
Letter from Santo Domingo, Part 3:
Javier: The Boy Can’t Help It





Ltr fm sto domingo part4
Letter from Santo Domingo, Part 4:
TROUBLE, and Getting Wet in Cabarete






Click here to access all entries in Douglas Simonson’s “On the Road” Series




Ltr fm sto domingo part4

Click here to access all entries in Douglas Simonson’s “On the Road” Series

December 3, 2012

CONTENTS


• LAS TERRENAS, ONE MORE TIME
• MANUEL SHOWS UP
• TROUBLE
• GETTING WET IN CABARETE
• SAYING GOODBYE


Lasterrenas beach shot


LAS TERRENAS, ONE MORE TIME



This is the story of my final photo shoot in the Dominican Republic in December 2012.

After 3 successful photo shoots, I felt like I had accomplished everything I’d set out to do in the Dominican Republic, and more. I planned to spend the last few days on the island just hanging out at the hostel and doing some sketches from all my new material.

But I kept thinking about Manuel.

Manuel was the beautiful boy Julio and I had discovered just a few hours before leaving Las Terrenas to return to Santo Domingo.

Javier manuel

Javier (left) and his friend Manuel, whom we met on the way back from Javier's photo shoot.

I didn’t know if I wanted to make the trek (4 hours each way, which means spending the night there) to Las Terrenas, just to photograph one model. And Julio had to work, so I wouldn’t have his company and his assistance. But Manuel kept calling, so I knew there was a good chance that if I went back, the photo shoot would really happen. Finally, I decided I would kick myself if I passed this up. I called Manuel to make sure he would be available, and the next morning caught a bus to Las Terrenas.

2 shot manuel

I arrived in the late afternoon, and almost as soon as I stepped off the bus, there was Manuel, who just happened to be riding his motorbike near the bus station. We arranged to meet for a beer later to discuss the details of tomorrow’s photo shoot.

By now I knew Las Terrenas fairly well and checked into the place where I’d stayed a couple of weeks before on my first visit. That evening I went to Big Dan’s and hung out with some of my Las Terrenas friends, and when Manuel showed up we sat down and talked. (We were able to communicate as soon as I made him understand that he had to speak to me S-L-O-W-L-Y. I was still far from understanding rapid-fire Dominican Spanish.)

I’d been glad to see that Manuel had his own motorbike, so transportation would be no problem.

Except, I found out, it wasn’t his.

It was borrowed from a friend, and he would have to rent one. But that was no problem, he said, just give me 300 pesos and another 150 pesos for gas and then I can drive us to the beach and back. I had a feeling I was being played, but I also knew that 450 pesos for transportation to and from the beach was not a bad deal. So I said okay and gave him the money and we agreed he would pick me up at 8am the next morning in front of my hotel.


MANUEL SHOWS UP


Right on time

Manuel showed up just 5 minutes late, which in Dominican time is 25 minutes early.

From long experience, I know how challenging it can be to get models to show up for a photoshoot. But once again my luck held. The next morning, at just 5 minutes after 8, Manuel pulled up on his motoconcho, ready to go. And off we went.

There was just one little problem.

RAIN.

We were about halfway to the beach when it started sprinkling. Then it started to rain harder. We were on the back of a motorbike with no protection so I had Manuel stop and we took shelter under a tree.

Manuel in rain 1

Taking shelter from the rain #1

While we waited for the rain to stop, I figured, what the hell, I’m gonna start shooting. No rule says it has to be at the beach and it has to be sunny. The diffused light of a cloudy/rainy day can be quite beautiful. And a back road in Las Terrenas was not a bad backdrop.

Manuel in rain2

Taking shelter from the rain #2

So I told Manuel where to stand, and started taking photographs. I shot over 100 photographs (some pretty nice!) while the rain played itself out, then we hopped back on the bike and went to the beach.

On the trail

On the trail to Playa Escondida.

When we got there we hiked to Playa Escondida, the place I’d discovered through Javier. Manuel, who’d lived in Las Terrenas his whole life, claimed he’d never been there and hadn’t even known it existed. (That could very well be the truth, since from what I’ve seen, the Dominican culture on the whole is anything but beach-oriented. Most Dominicans never go in the ocean and don’t even know how to swim. With rare exceptions, like Javier, the only people we saw on the beach and in the ocean were tourists.)


TROUBLE


Just arrived

Just arrived at Playa Escondida.

By now the rainclouds had mostly dissipated and while it was still a bit overcast, it was turning out to be a fairly nice day. Manuel was looking beautiful, although there were some hints of diva behavior. I could tell it was not going to be an easy shoot. I got the feeling that Manuel had gotten everything he ever wanted in life just by batting those beautiful long-lashed eyes and acting helpless.

Diva 2up

I prefer to work with beautiful boys who don’t really KNOW how beautiful they are. When I have to work with someone who THINKS he’s beautiful enough that he can charm his way into or out of anything, it’s more work.

But I’m a professional and I’ve worked with all kinds of guys. With the right mix of teasing, cajoling, and scolding, I was able to get some good stuff out of Manuel. He really does have a beautiful face and body, and every once in a while I was able to see the beautiful soul underneath all the adolescent delusions. So while it was more work than any of the photo shoots I’d done in the D.R. up to that point, it was still well within my area of expertise.

Manuel collage

Just the same, I was glad when the shoot was over and we headed back to town. Like many very-good-looking people, Manuel was a lot of work.

But overall, worth the trouble. (And I’m looking forward to translating all that “trouble” into drawings and paintings.)


GETTING WET IN CABARETE


Back in Santo Domingo, I had one week remaining of my 5-week stay. I had wanted to go to Cabarete, the kite-surfing capital of the Caribbean, for several weeks. At the last minute Julio said he couldn’t make it. I didn’t relish the idea of the 5-hour trip to and from by myself, but I also know how good I am at making new friends. So off I went to Cabarete on a Tuesday morning.

Cabarete bch hostel

Some shots I found online of the Cabarete Beach Hostel, where I reserved a room. These very appealing pictures were taken when it was sunny and warm and there were actually people staying there.

I did meet some interesting people on the bus. I sat next to this 30ish Dominican guy named Diego who was kind of cute, and we started talking. Turns out he is a sculptor and he was very interested in art. So I pulled out the computer and showed him some of my work. I thought he might be gay and maybe something would happen, so I figured showing him my male-nude art would be a good litmus test. Imagine my surprise when after about a half hour of his admiring my art, he turned to me and suggested I paint some female nudes instead of just male ones. He continued by telling me he thought I was a nice guy and he just felt it was his duty to do what he could to help me keep from burning in Hell.

This is something I found interesting and surprising in the D.R.—the degree to which Christian beliefs dominate the culture. And I mean, they really BELIEVE. I am not a Christian, and in fact I have some strong feelings about it, but I’m also more compassionate and accepting than I was in my younger days—better at “live and let live.” So I wasn’t offended or upset by Diego’s wanting to save me…just disappointed that I wasn’t going to get to fool around with him. Anyway, he got off the bus about halfway through the journey.

It’s a long way from Santo Domingo to Cabarete: about 4-1/2 hours on the bus, then another twenty minutes or so in a cab or a smaller bus before you’re finally in Cabarete.

I forgot to mention that during this whole long day it’s been raining, and the rain has gotten heavier as we’ve neared the northern coast. I’d hoped the rain would lessen as I got nearer my destination, but instead it got heavier. So when I finally arrived in Cabarete at the beach hostel where I’d made reservations, it was chilly, dark, and pouring rain.

Like the weather, the Cabarete Beach Hostel was also not quite what I’d been hoping for.

From the photos I’d seen online, it looked great for the price—$12 a night! And I’m sure at almost any other time it would have been. But with the wind and the rain and the dark clouds, and the fact that it had recently flooded, and the fact that there was NO ONE around, I found it disappointing and depressing.

Cabarete bch hostel in rain

What the place looked like on the day I arrived.

Brenda, the staffperson on duty when I arrived, was very nice and showed me to my room. It was spartan, to say the least, but I expected that. The real problem was that they’d had several days of rain and everything was wet. Either downright wet, or just damp. Even the sheets, while not really WET, were kind of…damp. Not totally damp, just damp enough that when you sat on them it was not pleasant. I didn’t want to think about sleeping on them.

My room cabarete bch hostel

My room. I did like the colors…

On top of that, there was supposed to be wi-fi but I couldn’t seem to get online. After about 20 minutes of trying to connect, sitting on the edge of my damp bed in my damp, chilly little closet, the power went off completely. I decided to take that as a sign. I packed up and left.

(I don’t want to dump too much on the Cabarete Beach Hostel. I actually like the rustic beach-shack feeling of the place, and in hot sunny weather, with lots of other guests, I’m sure I would’ve been very happy there.)

It was a short walk down the road (which was good because it was still raining) to an area with more hotels.

Other hotel

This is the place I chose instead of the beach hostel.

New room

My room at the hotel, which was just great, except for that painting.

The first one I walked into was $25 a night, which was definitely within my budget, and was nice, with DRY sheets on the bed AND a bathroom AND wi-fi that worked AND a place to have breakfast…I said YES, and moved right in.

So now I had a dry room and wi-fi, but I was not going to just sit in my room. I didn’t care how rainy it was, I was going out, dammit! So I did. Cabarete was not exactly hopping, but I found a pseudo-Irish pub right on the beach, and ended up making friends with all 5 people who were there. Later more people arrived, and I had a fun evening and met some very interesting people.

I went back to my room about 11pm and went to bed. Interestingly, I had one of the most restful nights of my whole Dominican stay. Two things: no mosquitoes, and a cool enough evening that I actually was comfortable under the covers. And the bed was just the right firmness. Who knew?

The next morning I woke up in my comfy, dry room and looked out onto a wet world. It was still raining.

I’d had enough. Especially after checking the online weather report and seeing a forecast of at least two more days of rain. I decided I was going back to Santo Domingo on the noon bus.

Cabarete bch scene

Cabarete bch scene2

The rain stopped for a couple of hours and allowed me to see Cabarete the way it should be.

Before I left, though, I wanted to get some beach shots, and miraculously, the clouds parted for a couple of hours and I got some nice photographs—before it started raining again. I think Cabarete is beautiful, I like the vibe, and I just know it would be lots of fun when the weather’s nice and there are more people around. I definitely want to visit again sometime in the future.


SAYING GOODBYE


I went back to Santo Domingo and spent a relaxing final week. Well, not all relaxing—during my final weekend, I partied like a rock star with both old and new friends. I danced the night away at a couple of bars I’d never been to before, and I don’t even remember everything that happened. I’m pretty sure I had a really good time.

Julio took me out to dinner the night before I left and we talked about what a great time it had been, and how many wonderful people we’d both met and what great experiences we had. He made me promise to come back soon.

I left the Dominican Republic on December 11. As I write this, I’m back in Lincoln, Nebraska, and the snow is piled high around my house. No problem…I’m snug in my cozy studio and I’ve already begun painting warm tropical scenes from the wealth of new images I brought back with me.

And, of course, planning my next tropical adventure.




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Click here to access all entries in Douglas Simonson’s “On the Road” Series


Ltr fm sto domingo part3 B

Click here to access all entries in Douglas Simonson’s “On the Road” Series

November 26, 2012

WARNING: SPICY CONTENT!

CONTENTS

• A RESTFUL DAY AT THE BEACH—NOT!!
• MEETING JAVIER
• PLAYA ESCONDIDA
• THE BOY CAN’T HELP IT
• MANUEL


Albachiara pool

A RESTFUL DAY AT THE BEACH—NOT!!



After my successful Dominican-boys-gone-wild photo shoot in Las Terrenas, I was ready to relax around the pool.

I’d accomplished what I set out to do and I was feeling good. So our last full day in Las Terrenas was going to be a quiet, restful one.

Julio and Grischa decided to take a dip in the ocean, since the beach was right in front of our hotel and it was a beautiful day. I had toyed with the idea of taking my computer down to the pool to catch up on work. But then I looked out from the terrace and caught a glimpse of the ocean and I thought, the hell with this. I’m gonna go hang out with the guys at the beach.

Following grischa and julio

I followed Julio and Grischa as they strolled down the beach. It was a perfect day for relaxing.

So I walked down to the beach and jumped into the ocean with Julio and Grischa. The water was warm and the sun was hot. Perfect, I thought. Then the guys decided to take a walk down the beach and explore, and I followed with my camera, getting some great landscape shots.

Javier first sighting

My eagle eyes spotted a perfect body at the other end of the beach…

There were some nice-looking guys on the beach, too. One in particular. I saw him from a distance and thought, Wow. That’s a nice shape. Beautiful body. As we got closer he still looked good. I shot some photos on the sly, but then walked on and dismissed the guy from my mind. No work today.

Javier first sighting XCU

This is a closeup.


MEETING JAVIER


Next thing I know, I turn around and Julio is chatting the guy up. He brings him over to me and says, “This is Javier. He wants to model.”

Oh, wow. I was going to rest today.

But I hadn’t reckoned with Julio. Or with Javier!

Javier posing before

Javier is a jewel: he’s cute, he has a great smile, a warm personality, and of course that body.

On top of that, he has his own motorbike so we not only have the model, we also have transportation to the beach. And he has no problem with our going rate for a photo session. And he’s ready to go. Right now!

How could I turn that down?

Ds w javier before

Here I'm chatting with Javier just before Julio and I climbed onto the back of his motoconcho for a ride to a secluded beach.


PLAYA ESCONDIDA


Just arrived

Here we've just arrived at the spot where we started our hike to the hidden beach.

Julio and I climb on Javier’s bike and a few minutes later we’re at a beach I had visited earlier in my location search, Playa Bonita. We dismount, and Javier leads us into the jungle, up over a little ridge, and down a rocky trail to a beach I didn’t even know was there, called Playa Escondida (Hidden Beach).

Playa escondida

First view of Playa Escondida.

I was sticking to my previous winning strategy: I told Javier he didn’t have to do full frontal nudity. He could hide his privates with his suit or a towel or his hand, whatever was available at the moment. He was fine with that.

Ds works w javier

By this point (3 weeks into my stay in the D.R.) my Spanish had kicked in sufficiently that I was able to direct Javier pretty easily, although there were times when I was glad Julio was there to translate.

Javier collage sized

Even though I’d felt like spending the day relaxing, of course I got into it, and had a great time shooting Javier. He was as much fun as the 4 guys had been on the previous day’s shoot, with the difference that it’s much easier to photograph one guy than trying to coordinate four guys.

We’d brought beer, so the already-relaxed Javier was getting even more relaxed as the shoot continued.


THE BOY CAN’T HELP IT


Javier intent

Javier very intent on something.

After a couple of hours, just as I was running out of ideas and thinking it was almost time to finish up, I was taking some random shots of Javier just sitting and relaxing on a rock on the beach. Except he didn’t really seem relaxed. He didn’t seem tense, either…just INTENT. He kept looking down at the hand that was covering his crotch. Except it didn’t seem to be doing a very good job of covering everything, because everything was growing.

The next thing I knew, he opened his hand a bit and a big erection popped out. And Javier started laughing. He wasn’t at all embarrassed or mortified that he had gotten excited—he thought it was hilarious! And he was enjoying being photographed in his excited state.

Javier laughing censored

Javier's big surprise.

Needless to say, Julio and I were enjoying it too. Who would’ve thought this kind of happy surprise would happen in a “no-frontal-nudity” photo shoot?

Javier lettingallhangout

Letting it all hang out is a lot more fun than holding it all in.

I proceeded to get as many shots as possible of Javier in this condition, and I got quite a few. He said, Does this mean I get paid extra? I said Yeah, I think that can be arranged.

NOTE ABOUT THE CENSORED IMAGES: My practice is to not show full-frontal nudity on this blog. But you can see uncensored images of Javier by purchasing any or all of the selection of photographic prints of him I released a few weeks after I returned from my Dominican trip. Because the selection on my website rotates, I can’t guarantee they’ll be online at this moment, but sooner or later they’ll pop up (no pun intended!). Just click here to visit my website and navigate to the photographs section.

And that was that. Another exciting day in Las Terrenas. Javier got dressed, we all packed up, and hiked back to his motorbike, and then rode back into town.

As we were riding down the back streets of Las Terrenas on the way back to our hotel, I was thinking, Wow, two photo shoots in two days. I’m so glad Julio is around or this wouldn’t have happened. The next thing I know, Julio has yelled “Stop!” and Javier has stopped the motorbike. What’s going on? I asked.

Turns out Julio just couldn’t quit. He had seen another potential model and said, We have to talk to this guy!

And that’s how we met Manuel.


MANUEL


Javier manuel

Javier and his friend Manuel.

Manuel was just gorgeous, with a beautiful body and a beautiful face with dark eyes and long, dark lashes. He turned out to be a friend of Javier’s (Las Terrenas is not a big town). Julio began talking to him about modeling, and Javier was also very helpful, letting Manuel know that he had just done some modeling for me and it was great! And you don’t even have to show everything, he said. This from a guy who had just shown us everything and more. Hilarious!

Manuel was very interested in modeling. And I was interested in photographing him. But it was already late afternoon and we were leaving early the next morning.

I got his number, but didn’t really think anything would happen…I couldn’t imagine making the long trek back to Las Terrenas for a third time before leaving the Dominican Republic.

Little did I know.

NEXT: LETTER FROM SANTO DOMINGO, PART 4




If you’d like to send some support my way and help make sure the art and the blogs keep coming, use this button. Or, do something just as wonderful and visit my website and become a Simonson collector. You’ll support me in the best possible way, and you’ll get to own some beautiful art too! Many thanks!

Click here to access all entries in Douglas Simonson’s “On the Road” Series


Header letter stodomingo 1

Click here to access all entries in Douglas Simonson’s “On the Road” Series




November 18, 2012

• PANIC ATTACK IN THE TROPICS
• HUNTING THE WILD MODEL
• THE MAGIC OF HOSTELS, CONTINUED
• MY NEW BEST AMIGO, JULIO
• JEISON AND THE NOT-SO-NUDE PHOTO SHOOT
• ON NOT SHOWING THE WHOLE ENCHILADA
• GUAYACANES



PANIC ATTACK IN THE TROPICS



I’m back in the brown-boy latitudes.

I got out of Nebraska just in time. I flew out of Omaha November 6 in pre-dawn frigid cold. I arrived in Santo Domingo later that day in 90-degrees-plus heat. Sweaty but happy.

Ds zapote batida

Having a zapote batida (kind of like a papaya smoothie) in a restaurant near my hostel.

I’ve rented a room in a hostel in the city’s Zona Colonial. The place is called the Hostel Condo Parque and although I was only going to be here for the first week, I like it so much I’m staying the whole 5 weeks.

Zonacolonial scenes

Some random scenes of the Zona Colonial.

The 5 weeks was a pretty random decision. When I purchased my ticket, I looked at the calendar and just chose a departure date and a return date, doing my best to trust my instincts and not overthink it. This is what works for me these days.

Ds in hostel office

My office-away-from-home in the common area of the Hostal Condo Parque.

The Condo Parque is in most respects a typical no-frills third-world hostel, except that it’s owned and managed by a Swiss expatriate named Walter, who is just the kind of low-key, solid, reliable guy you need running a hostel in the Dominican Republic. The place is clean, well-managed, friendly, affordable and convenient. I recommend it highly. (I first stayed in a shared dorm room with 3 beds so I had roommates, and that was fine, but when I decided I was staying longer, I talked to Walter and got a great deal on a nice, big private room with a kitchenette.)

Fruitstand etc

As soon as I’d dumped my stuff at the hostel, I went exploring.

One of the things I love about Latin American places is the street life, and Santo Domingo has a lot of it. I walked out of the hostel and into a bright, humid tropical afternoon filled with shouting street vendors, loud traffic, lots of people on the sidewalks and lots of color, both literally and figuratively. I breathed it in like a tonic, and strolled down the sidewalks, loving it.

And promptly had a panic attack.

I always conveniently forget how scary it can be the first time in a new, unfamiliar country. I’m excited, of course, but there’s a thin line between excitement and fear. So I’m walking around Santo Domingo and I notice how shallow my breathing is and how fast my heart is beating. When I recognize this, I stop, I breathe, I focus, and I do my best to step outside myself. From there I’m able to see the fear for the illusion that it is. This works most of the time (well, I’ve been practicing for a lot of years). Then, calmer and more centered, I continue on my way, able once again to be present and appreciate the adventure.


HUNTING THE WILD MODEL


But I’m not in the D.R. just to soak up a new culture and have adventures. I’m also here to do what I didn’t manage to do last time I was in Brazil: find some hot new models!

I feel like I’m on a make-or-break with the model thing. I got seriously down on myself after not finding a model after 6 weeks in Brazil a year ago (read about that here.) Of course I had no money at the time and no way to pay models even if I’d found one, or several. It just wasn’t meant to be, and I’m not beating myself up about it so much now, but still…I will feel much better on several levels when I manage to once again capture some naked pix of a hot new boy.


THE MAGIC OF HOSTELS, CONTINUED


After my experience at the MistiChill Hostel in Paraty, Brazil, last year (read about that here), as well as Pura Vida in Rio, I’ve become a confirmed hostel-goer. My introduce-myself-to-everyone-with-no-hesitation method of creating instant new social circles works very well in hostels, and the Condo Parque was no exception. After 24 hours in Santo Domingo I already had a dozen new friends and was having a great time.

Newfriends collage

Fun with new friends I've met at the hostel.


MY NEW BEST AMIGO JULIO


I tried going out to the gay bars in Santo Domingo as soon as I arrived, but it was early in the week, and it’s a weekends-only scene here, unless you are interested in hustlers, which I’m not. I had some encounters with the very aggressive hustlers but I have enough experience in this area (think Brazil) that I know how to rid myself of them pretty easily.

But I was looking forward to a place where I could meet some regular non-hustler gay people.

I went to a bar called NYC on Thursday night, which is the first night of the weekend here, I guess, and was so turned off by the heavy hustler presence all around the front door that I didn’t even go in. But across the street was the other bar I wanted to check out, Esedeku (the phonetic spelling of SDQ, the Santo Domingo airport code). So I went over there, and to my relief, there were no hustlers, just regular, friendly people. Right away I started talking to the tall, good-looking guy behind the bar. His name was Julio.

Julio

My new friend Julio.

It turned out Julio was the owner of the bar. He’s Mexican, from Puerto Vallarta, and he was new to the Dominican Republic—he had just bought the bar and moved to Santo Domingo two months before, from San Francisco. I told him about my model hunt, and he said he’d love to help me in any way he could. In fact, he immediately suggested I consider his bartender Jeison, who is a bodybuilder and is actually pretty hot.

Esedeku

This is Julio's bar, Esedeku, in the light of day. The terrace on top is where I interviewed my first potential model.

Lots of people tell me they would love to help me with my model shoots, and usually they’re not very serious. To my surprise, Julio turned out to be the exception. The next day, he called and invited me to come with him to his gym and we could see if there’s anybody there that I like, and if so, he could introduce us.

That’s what we did, and I met a couple of guys right away through Julio. He was happy to go up to them and do the talking. I loved it! Even after all these years, the initial moment of going up to guys and talking to them about modeling still scares me and ties my stomach up in knots, and when I have somebody who’s happy to go up and meet the guys and do the hard work for me, I’m thrilled.

Over the next couple of days Julio and I spent a lot of time together talking about everything under the sun. He’s happy and excited to help me with the model hunt, and I’m happy to give him advice about running a business, which is something he’s doing for the first time. We enjoy each other’s company and it’s great having a new friend who’s not only fun to hang out with, but is excited about joining me in my D.R. model-hunt adventure.


Jeison AND THE NOT-SO-NUDE PHOTO SHOOT


One of the issues of being a male-nudes photographer on a severe budget in a foreign country is, where do I interview the models? It’s often difficult to bring them into my lodgings, especially when I’m staying in a hostel.

Julio, bless him, came to the rescue. He told me he’d be happy to let me use his bar as an interview location. He has a terrace atop the bar, so we decided to use that as an interview setting, and we scheduled an interview with bartender Jeison.

Jeison testshots collage vertical

I interviewed Jeison and took some test shots of him on the terrace of Julio's bar.

We set the interview for 1pm and Jeison showed up at 2pm. I wasn’t pleased about that, but when he started taking off his clothes and revealing that amazing physique, I began to forgive him. As Julio had said, Jeison had a really beautiful body. The more I saw of him, the more I liked him.

Something I always insist on during the interview is that the model get totally naked. I want him to be okay with full nudity, or it’s a dealbreaker. I’ve been doing it this way for over 30 years.

But once again, I find myself changing in unexpected ways.


ON NOT SHOWING THE WHOLE ENCHILADA


As you may know if you’re a regular follower of my art, I’ve recently been doing fewer full-frontal nudes. In my career it’s been almost a point of honor for me to never be afraid to show what seemed to frighten most other artists (and gallery owners)–the penis!

But I’m mellowing. I no longer feel the need to make that same statement, over and over again. If full frontal nudity feels natural and right in the work, great, I obviously have no problem with it. But I’m not going to go out of my way to make sure it’s always present.

I may sound casual as I say this, but it’s a BIG shift in my perspective.

I already knew, through Julio, that Jeison was not willing to “show everything.” Even in the recent past, I would have said, Okay, goodbye, not interested. But now, I look at Jeison and I think, hmmm, how would this work? And I began to get an idea.

I’m a big fan of those online photos where you see (presumably) straight boys in drunken weekend parties getting naked in front of each other and everybody else, sometimes baring all and sometimes hiding their privates with a hand or a hat or a bottle of beer. I love the mix of innocent fun and sexual tease. And as I thought about it, I thought it might be fun to do a photo shoot like that, and Jeison seemed like a good place to start.

Saggerz

I found these images online and used them as examples to show Jeison what I had in mind for our photo shoot. (By the way, if I'm infringing anyone's rights by using any of these images, please notify me and I'll remove them.)

So when we did the interview, I told him the plan was to do a “no completamente desnudo” (not completely nude) photo shoot. He would hide his privates with a towel, his hand, shorts, or whatever, and there would be lots of almost-naked-shots but nothing completely naked. He liked the sound of that, I thought it would be an intriguing experiment, and it was also going to cost me less than full nudity.

Now all we needed was a location.


GUAYACANES


Finding the model(s) is always a challenge. But after that you have two more challenges: finding a location, and finding transportation to and from the location. I’d recently met the owner of a Santo Domingo gay hotel (Adam Suites), a guy named Gilbert originally from Miami, and he gave me a good price for a van and driver. So that part was taken care of. Now I just needed a nice, secluded beach close to the city.

All the beaches within an hour or two of Santo Domingo are touristy and overbuilt, but I thought there must be a little cove or inlet or something somewhere along that long coastline where we could find some privacy. So Julio, myself, Jeison and the driver piled into the van, and went looking for that beach I was picturing.

But it was not happening. After we wasted an hour and a half of precious time trying to find a place that met my expections, we were all getting very frustrated. It was getting so late we had to stop somewhere and shoot some pictures, or I would have wasted the whole excursion.

Getting to guayacanes collage 2

Top left, myself and Julio waiting for the model to arrive; top right, Gilbert, Jeison and Julio pose on the balcony of the Adam Suites Hotel; lower left, Jeison arrives; lower right, we arrive at Guayacanes Beach.

So finally I said to the driver, Stop here, and the “here” was a place called Playa Guayacanes. It was typical of the beaches near Santo Domingo, by which I mean touristy and overpopulated, but because it was mid-morning on a weekend, the only people around were a few vendors and some fishermen. I looked around at the palm trees and the fishing boats and thought, you know, this is kind of picturesque. And it’s not a completely nude shoot anyway. Maybe I can make this work.

So we unloaded our gear and Jeison stripped down and we got started. As the session unfolded over the course of about 3 hours, I was surprised again and again by what great shots I was finding with the beach chairs, the fishing boats, the kiosks—all the stuff I had been so adamant about avoiding. In the end I was really happy I’d been able to let go of my preconceptions and trust that things were working the way they were for a reason.

I was also pleasantly surprised to find that shooting an almost-nude gorgeous man was just as stimulating and interesting as shooting a totally nude gorgeous man. Not better, not worse, just a different set of challenges and possibilities.

Guayacanes jeison collagevert bigger

A few of the nearly 1000 shots I got of Jeison at Guayacanes Beach.

Another plus: usually we’re in a secluded spot, the model is completely nude, and I’m always a bit on edge with the concern that we’ll be interrupted. It was nice not to have that worry for a change.

Julio jeison walking

Julio (left) and Jeison walking as we moved from section of the beach to another about halfway through the shoot.

Through all this, Julio was a great asset. He’s the one who introduced me to the model, he supplied the setting for the interview, and he came along on the photo shoot to help out. I couldn’t believe my luck: not only did I have a new friend I really enjoyed being around, I also had a terrific volunteer assistant. Thanks Julio!

Jeison ds eating

With my first Dominican photo shoot in the can, I relax and have some chicken on the beach with the model.

When we got back to the city in the early afternoon, I was exhausted (I always am after a photo shoot). But I felt great! I felt like I’d broken the model-hunt jinx and I was back in the saddle again. Plus I was over the moon about all the great new images I’d gotten! It was a great beginning to my Dominican adventure.

NOTE: If you’re reading this blog soon after it was posted, some of the first sketches I did of Jeison from the photo shoot described above may still be online and available.You can check by clicking here.

NEXT, IN LETTER FROM SANTO DOMINGO PART 2: TRIP TO LAS TERRENAS




If you’d like to send some support my way and help make sure the art and the blogs keep coming, use this button. Or, do something just as wonderful and visit my website and become a Simonson collector. You’ll support me in the best possible way, and you’ll get to own some beautiful art too! Many thanks!

Click here to access all entries in Douglas Simonson’s “On the Road” Series


Letter from banff header

Click here to access all entries in Douglas Simonson’s “On the Road” Series


October 27, 2012


I’ve just returned from my first visit to Canada in over 25 years!

As I’ve mentioned in previous blogs, my “traveling the world lifestyle” has not been going exactly according to plan. My April move to Nebraska was supposed to facilitate full-time travel. But finances got in the way.

Which, as I’ve also mentioned before, was perfect, because it’s allowed me to focus on my painting–and that has been, and continues to be, a wild, exciting trip all its own.

Anyway, my original vision was to spend a couple of months getting settled in Nebraska, then taking off again to someplace with palm trees and beaches and beautiful brown-skinned men.

I had not pictured a trip to the not-so-tropical Canadian Rockies.

But there you go. If I’ve learned anything since I started this “On the Road” blog, it’s that plans are just something you make so the surprises are more exciting.

I have a new collector named John who lives in Banff, Alberta. Over the past few months John and I have developed quite a correspondence. He works in a gallery, he is an aspiring artist himself, and he also writes great letters. I was intrigued by his insights into the whole artist-gallery-marketing thing.

The more we “talked” via e-mail, the more I thought it would be great if I could just hang out with John for a few days and brainstorm, talk painting, etc. I also wanted to visit the gallery where he works. So, since I’ve recently overcome a lot of my inhibitions regarding asking my friends and supporters to host me, I wrote to him and invited myself to visit for a week. Fortunately, he said yes!

That’s how, at the beginning of October, I found myself flying north to Calgary instead of south to the tropics.

Bus to banff 1

Bus to banff 2

Bus to banff 3

This was my third time to Canada and my first time in Alberta. From the airport in Calgary it was a 2-hour bus ride to Banff. The photos above were shot from the bus, starting with leaving Calgary with the mountains in the distance, then gradualy approaching the foothills, then starting to get into the Rockies themselves.

Ds outside hotel

Myself outside the Fairmont Banff Springs Hotel.

I was dropped off at the door of a huge old Scottish castle of a hotel called the Fairmont Banff Springs Hotel, where John met me.

John showed me around a bit, and the day after I arrived, he took me to work with him. This involved standing outside in the cold while John and another staffer worked out the engineering problems of transferring a 9-foot 900-pound sculpture of an eagle from one vehicle to another. This was actually fairly interesting (I had, after all, wanted to know more about the inner workings of a successful gallery), but just the same it was too f***ing cold!

I also spent some time in the gallery, where it was NOT so cold, and enjoyed a lot of great art.

John was scheduled to drive the van with the eagle sculpture in it to another gallery in Jasper a couple of days after that, and I was going along for the ride. Jasper is about 4 hours’ drive north of Banff, even deeper in the mountains, and even colder. I felt like I was really venturing farther and farther into the Great White North. But it was beautiful, and an adventure, and I looked forward to it.

Ds by lake

On the road to Jasper, we stopped and took pictures. By the way, John, thanks for the loan of the coat!

As things turned out, John drove the van to Jasper, and I followed him in his car. It was an amazingly scenic drive, and we stopped fairly often so I could take pictures.

Pyramidlake

Pyramid Lake in Jasper.

Jasper, like Banff, is beautiful and COLD. There I accompanied John to a Canadian Thanksgiving dinner on October 8 at the home of the owner of the gallery, and it was a wonderful evening. I got to meet more artists and more gallery people, and absorbed a lot more gallery-inner-workings lore. The next day we drove back to Banff just in time to help put together an event at the hotel.

Fairmontbanffspringshotel

Here's a shot of the Fairmont Banff Springs Hotel I took during a scenic drive around Banff.

To promote the gallery, two of their best-known painters were going to be part of the “entertainment” for a conference of urban planners. This turned out to be fun for me in an unexpected way. When I was traveling all over the U.S. in the early 1990s doing lectures and art shows, I learned a lot about what works and what doesn’t when you’re doing art-related events in hotel ballrooms. As we were setting up for the event I realized my experience could be useful here…and, well, to be honest, I kind of took over. But it was exactly what was needed, and after the event, everybody thanked me and said they were glad I’d been there. I was happy because the event had been a big success and I’d been able to contribute significantly.

Hotel event 1

Linda Wilder (left) and Alice Helwig, the painters at the event. In the center is a canvas to which we invited conference guests to contribute a few brushstrokes each. That was also a hit.

Hotel event 2

The artists, Linda Wilder and Alice Helwig, were both terrific landscape painters and did a great job of painting while also interacting with interested observers. Afterward, John and I and the two artists went out for beer and pizza and I totally enjoyed spending time with them. I’ve never really hung out with artists, but after this trip I think I should do more of it.

Overall, my experience of being an unofficial part-time employee of the gallery was interesting and, as I realized once I was there and involved, exactly the kind of experience I was hoping for.

This “I didn’t know I had planned it until it was happening” thing is a recurring theme for me, and I learn more about myself every time I write another chapter in this blog…I seem to be able to create great experiences for myself on a subconscious level, by trusting my gut and making plans that may not even make sense to me on the face of it…but then as they’re playing out, I realize they were just what I intended, without knowing it consciously.

This happened in another way on the Banff trip as well, via the “mini-workshops” I gave John.

In our e-mail correspondence I’d been giving John some tips on painting. I had a vague idea of giving him a kind of workshop while I was there, though I hadn’t done any planning or anything. But, again, it worked out exactly as my subconscious had intended.

Ds mixing paints

This was the 'mixing paints' portion of the mini-workshop. The reason I look like a chef is because I didn't want to get paint on my clothes, so John loaned me something to cover up with.

It’s been a lot of years since I have taught drawing, and I’ve never really taught painting. But I had a lot of fun doing these ‘workshops’ (we did 3 of them during the week I was there, each lasting about 3 hours), and from the results, I’d say I was pretty effective as a teacher. I realized I could easily do a year’s worth of workshops and still have tons of material to impart. Hmmm…I’m getting ideas!

As I write this, I’m thinking about my age, and how I sometimes forget how many years of experience I’ve accumulated. Then I have experiences like the hotel event and the workshops I did with John, where abilities and skills I’d forgotten I had come to the fore, and I just slip back into that role, but with the added confidence that age brings.

The same thing is happening to me a lot these days when I paint. Over and over I realize, I KNOW HOW TO DO THIS. There is always more to learn, and god knows I still have failed paintings, but now, after over 30 years of doing this, I feel like I’m starting to get the hang of it. And it’s a nice solid feeling, this confidence that comes to a large degree simply from the accumulation of experiences.

So overall, I’d have to say my excursion to the Frozen North was worth the (minor) discomfort. I had some great experiences and, despite the rugged beauty of the Canadian Rockies in October, I am more confirmed than ever in my love of the tropics and my feeling that that’s where I belong. Which is why I’m headed to Santo Domingo in the Dominican Republic in the next couple of weeks. Watch for that report!




If you’d like to send some support my way and help make sure the art and the blogs keep coming, use this button. Or, do something just as wonderful and visit my website and become a Simonson collector. You’ll support me in the best possible way, and you’ll get to own some beautiful art too! Many thanks!


Click here to access all entries in Douglas Simonson’s “On the Road” Series