Archive for the ‘Shoots in Brazil’ Category

(For more info on “Simonson On Location” see the previous blog entries, Creating Simonson On Location, Parts 1, 2 and 3)

After 3 months of preparation and work, Simonson On Location is finally online!

I finally got to send out the e-mail announcing Simonson On Location’s debut on June 1st. It was exciting to watch the subscriptions start coming in. You may already have subscribed. If you haven’t yet, you can do so by clicking here: Simonson On Location

Or keep reading to get more information on what you’ll find once you do subscribe!

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We added a white 'storybox' to make it easier to read the story of each photo shoot.

One of the things that changed in the final days before we went online is the way I present my storyline for each photo shoot. I wasn’t happy with how hard it was to read the stories: the type was too small, plus it was black type on a dark blue background—way too hard to read. So I worked with Mitch to create a vertical white “story box” running along the left side of the first page of each gallery. As you can see from the screen shot above, it’s now an inviting, easy-to-read design.

We made a lot of other small changes too, but the version of Simonson On Location that’s now online is pretty close to the screen shots I showed you in Parts 1, 2 and 3 of the “Creating Simonson On Location” blog entries.

Pricing is $14.95 per month to become a regular subscriber, or $24.95 if you’d like to subscribe for just one month with no automatic renewal.

WHAT’S IN THE LINEUP, EXACTLY?

We went online with about just under 3,000 photographs in 53 galleries, spread over 14 different models. Here’s the lineup, in case you’d like to know the details before you make the leap and subscribe to the site:

BAIANO: 2 galleries, total 88 photos. Baiano Gallery 3 will go online June 15 with another 42 photos. This is the story of how I found and photographed Baiano in a little Brazilian surf town.

BRUNO: 5 galleries, total 278 photos. How I took Bruno to a nude beach south of Rio de Janeiro for a photo shoot, and found out I had to get naked too!

EDUARDO: 3 galleries, total 153 photos. Eduardo Gallery 4 will go online June 15 with another 122 photos. All about how I met Eduardo at a little cafe in Rio, then photographed him in the nude on the veranda of my 12th-floor Rio apartment.

ISRAEL-WELLINGTON: 5 galleries, total 251 photos. The story of how I found two models in Salvador, Brazil, and our trek to a deserted beach 3 hours north of the city.

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Since I shoot at least 1000 photos on most of my photo shoots, each photoshoot on the website will end up with between 10 and 20 galleries when I've finished telling the story. I'll be putting up additional galleries every 2 weeks.

JEFF: 4 galleries, total 226 photos. How I met and photographed mischievous Asian boy Jeff at my Waikiki apartment in late 2009.

JORGE: 3 galleries, total 134 photos. How Dominican-Nicaraguan hunk Jorge and I dodged a storm and wound up having a wonderful photo shoot at Diamond Head Beach at dawn.

KAIMANA: 3 galleries, total 171 photos. How I took Kaimana to a secluded Oahu beach and had him go surfing naked.

KAINOA: 3 galleries, total 197 photos. All about my backyard-pool photo shoot with gorgeous Hawaii local boy Kainoa.

MARCELINO: 4 galleries, total 189 photos. The story of my California photo shoot with cute Mexican boy Marcelino.

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Keep in mind this is just the beginning of the story; over the next several months there will be an additional 10 to 15 more galleries added for each model, to tell the story of the whole photo shoot.

MARCUS: 4 galleries, total 185 photos. Marcus Gallery 5 goes online June 15 with another 75 photos. The story of my very first photo shoot with Marcus on a deserted beach in Angra dos Reis, Brazil.

MARCUS-SANDRO: 4 galleries, total 202 photos. All about our wild weekend with the Brazilian Boat Boys, Marcus and Sandro, among the many islands of Brazil’s beautiful Costa Verde.

NOHEA: 4 galleries, total 217 photos. How I took a beautiful jewel (Hawaiian boy Nohea) and placed him in a beautiful setting (a backyard jungle with pool).

TOMMY: 3 galleries, total 144 photos. How I met tall, beautiful, dark-skinned Tommy and took him to Diamond Head Beach at dawn to capture a series of stunning images.

VICTOR: 3 galleries, total 216 photos. How I met Nigerian-born Marine Victor and photographed him in two gorgeous Hawaiian settings in one day.

So that’s the lineup as of the first week of Simonson On Location’s debut. As I said above, there are now nearly 3,000 photos, and more will be added every 2 weeks from now on. Join now and watch the stories as they unfold! Here’s the link: Simonson On Location

(For more info on “Simonson On Location” see the previous blog entries, Creating Simonson On Location, Parts 1 and 2)


Things are heating up! We’re just a few days from going live with Simonson On Location. Mitch (my webmaster) and I have been meeting almost every day as we get closer to the release date. There’s still so much to do.

I built my first website years ago (1995, actually) but these days I’m really glad to have a webmaster, especially one like Mitch who knows his stuff—and thinks about all those little details that you have to think about. I’m talking about the kind of details that guarantee that when you click on that link, the website WILL charge your credit card and let you in! AND that it’s an absolutely secure encoded transaction! There’s a whole lot of work that goes into setting something like that up.

So I’m glad he’s doing that, and I can focus on what I’m good at. Which right now consists of going through thousands of male-nude photographs and putting them together so they’re not only fun to look at, but they tell a story, too.

One of the groups of photographs I’ve been working on is the series of photo shoots I did in Salvador, Bahia, Brazil in April 2007. This is a particularly interesting group of photographs because there are lots of stories to tell. We had many adventures during that trip, from spending days and days looking for models with no luck and then having two models just fall into our laps in one afternoon, to getting lost in the wilds of Bahia looking for a very hard-to-find location, to my two new models doing naked capoeira on the beach!

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Here's a preview of one of the Israel-Wellington galleries. This is the part where they were doing naked capoeira on the beach.

There are lots of other stories I’m reliving, too, including my photo shoot with Hawaiian boy Nohea; Dominican-Nicaraguan Antonio, whom I photographed at Diamond Head Beach one morning as a huge storm approached; Kaimana playing the nude surfer on a Hawaiian beach; Marcus and Sandro on a deserted island south of Rio de Janeiro…and many more!

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This is a small part of the Nohea galleries you'll soon be enjoying on Simonson On Location.

Each model has several galleries, or photosets, to tell the story of his photo shoot. When Simonson On Location first goes online, there’ll be 12-14 models, and each model will have 3 to 5 galleries, which usually amounts to 150-250 individual photographs. Then every couple of weeks or so, I’ll add more galleries until each model’s entire photo shoot is online.

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Here's a sample page from my photo shoot with nude surfer Kaimana.

And of course as I work with new models, or do additional photo shoots with existing models, those new photosets will appear on Simonson On Location as well.

Mitch told me today that there are just a few more issues he needs to resolve on the website before we can go live, and that we are in the final week of preparation. I’m probably more impatient to get this site online than my collectors are to see it! I can’t wait to send that e-mail out to my collectors saying, “Come on over, Simonson On Location is ready for you!” But I can’t do it yet. Soon!!

I shot Antonio at Diamond Head Beach at sunrise. This is one section of his galleries.

(For more info on “Simonson On Location” see the previous blog entry, “Creating Simonson On Location, Part 2”)


When Mitch and I began talking about the look, feel and structure of Simonson On Location, we decided to keep it very similar to the current art website. For one thing, we have a good, stable, user-friendly web design, so why change it? On top of that, it makes life easier for my current collectors if the new website has the same easy-to-use design as the fine-art website they’ve been visiting for years.

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This is our design for the main directory page of Simonson On Location.

But of course at the same time, we wanted to make it clear that this was a different website with a slightly different focus, so we gave it its own distinctive look. We changed the background to black, and changed the theme colors a bit. I chose a blue-green theme because it reminds me of the color of the ocean in the tropics.

I Start Choosing the Photographs

When I actually got started putting the Simonson On Location galleries together, the very first set of photographs I worked on were from my first photo shoot with Marcus.

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These are some of the photographs from my first Marcus photo shoot.

The first part of this photo shoot showed the progression from getting on the boat in Angra dos Reis, sailing around with Marcus getting naked on the boat, then arriving at a deserted island, where Marcus dove into the water and we followed him to the beach in a rowboat.

Structure of the Site

As I worked with this first set of photos, I started to get clearer on the structure I wanted for the new website.

In a situation like this it would be easy to take an entire photo shoot of 900 or 1000 photographs and just upload the whole mass of them to the website, and call it “Marcus Photo Shoot” or whatever. But it seems to me that would be a bit like writing a novel without any chapters, paragraphs, or punctuation! You could read it, after a fashion, but it wouldn’t be much fun.

I certainly didn’t want to do that. In a way, I’m presenting my own story here, and I want it told properly. I also want it to be fun and entertaining for the reader/viewer.

Each Photo Shoot is a Story

So I decided to look at each photo shoot as an entire story. I would divide each shoot into several galleries, so that I could tell a bit of the story with each gallery. The number of images in each gallery would depend on what was going on in the photos. Sometimes I might shoot dozens of photographs of the model with just minor alterations in his pose or expression. Not much story going on there so that would be kept in a single gallery.

But if there was a lot of action, changes of scenery, etc., then I would divide it into smaller galleries, because there would be more story to tell. It’s a bit like dividing a story into chapters. You want each chapter to have a basic subject or theme, and to move things along in a logical yet entertaining way.

This meant that some galleries might have 100 images in them—while others might have as few as 25 or 30. My goal was to let the photographs tell their story, and to have the viewer see and “hear” the story of the photo shoot as it happened.

I Create the First Three Galleries

So the first 3 galleries of the first Marcus photo shoot went something like this:

Gallery 1: We’re on the boat in Angra dos Reis, sailing out into the islands to find a deserted beach. Marcus is wearing speedos, and I start shooting photos as he lounges around on the boat. At the very end of this gallery, he begins stripping off his speedos.

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Here's an actual gallery page from the new website. You'll be able to click on each of these thumbnails to see the full-sized image.

Gallery 2: Marcus lounges around naked as we’re still sailing around the islands.

Gallery 3: We finally find our island and Marcus dives off the boat to swim to the beach.

These would be just the first 3 galleries. The entire photo shoot might end up having 20 or more galleries, with each one telling a bit more of the story.

As I put these segments together and wrote a narrative for each, I began to really enjoy myself. I liked the way this was unfolding, and it felt like it would be fun for my collectors to read and view these “stories.”

I put together the first three galleries from that Marcus photo shoot to get things rolling, then moved on to another photo shoot. I decided I’d tackle Eduardo in Rio next.


One of the most exciting projects I’ve undertaken in several years is finally becoming a reality.

It’s a an online gallery of uncensored photographs from my photo shoots all over the world. This subscribers-only website will be called “Simonson On Location.”

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This project was jump-started by a comment my webmaster, Mitch, made to me a couple of months ago.

Mitch and I have worked together for several years now. Mitch isn’t just a great web guy, he’s also an invaluable sounding board and idea man. In one of our recent meetings, he said, “You know, Douglas, it might be time to take another look at doing that subscriptions site.”

This was an idea we had batted around for years: a subscriptions-only website which would allow my collectors to view the uncensored images from my photoshoots.

I’ve been doing male-nude photo shoots for over 30 years now. Most of those materials have never been seen by anyone but myself, and occasionally my assistants. (As a reader of this blog, you have probably seen a select few of these images—in censored form—in my “Step-by-Step in the Studio” entries. But 99.9% of them have never been shown.)

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Here I am at a photo shoot in Rio de Janeiro. Unlike this image, photographs on the new website will be uncensored.

These images, as much as my drawings and paintings, are documents of my life as a photographer and artist. And for many reasons—not least the fact that I’ve just turned 60, and these days I have a broader perspective on a lot of things—the time seems right to share this part of my life.

So when Mitch brought up the subject of a subscriptions site, I got excited. It seemed like now, the time was finally right!

So I said YES, let’s do it. And we plunged in. Mitch started working on all the back-end stuff it takes to set up a subscription website (and there are a lot of details involved!). And I started the process of going through my photographs.

That’s when I really started to grasp the enormity of the task. We’re talking about thousands of photographs, each of which need to be vetted, sorted, tweaked for image quality, classified, numbered, and put in a database (because I wanted my collectors to be able to buy any of the images as a photographic print).

Plus I would need to write the story of each model and each photoshoot.

There was a lot to do. I tried not to think about how much work it was going to be to go into Photoshop and tweak and prepare each image for online presentation. But then, at exactly the right time, a friend of mine who runs a Hawaii stock-photography website told me about something that could cut my workload dramatically: Adobe Lightroom.

I got the software and began learning it and found that I really liked it. So as I started actually going through my photo archives, my excitement about the project was enhanced by my new streamlined work flow.

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Here I am in my studio-office using Adobe Lightroom to review photos for the new website.

This is a lot of work, but it’s also a lot of fun. Going through photoshoots from years past is bringing back a lot of memories, and as I sift through the individual photographs I’m seeing them through new eyes as I think about how much fun it will be to share entire photo shoots with my collectors online.

Plus I’m realizing how many really beautiful images were buried in the photo vaults, so to speak. Now people are finally going to be able to see and enjoy them!

In my next entry I’ll share some images of what the new website will look like.

I’ve just returned from Brazil, the first trip I’ve taken there since early last year when I found and photographed Wellington and Israel in Salvador. This time I traveled with my good friend Steph, and I must say we made a great team. She’s a bit like Gina in that she’s beautiful and fun and attracts lots of attention! We stopped over in Miami for a couple of days, then flew to Rio.

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Steph and myself in Miami at the Palace Bar, before catching an evening flight to Rio.


This was Steph’s first time in Brazil so we saw the sights of Rio for a couple of days before heading by bus to Búzios (a 3-1/2 hour ride). I’d never been to Búzios but had heard lots about it. It turned out to be a beautiful, sophisticated yet rustic little town, and we stayed in a charming, simple-but-beautiful room in a pousada called Passeio das Palmeiras (I recommend it, and the proprietor, Lucas, is pretty charming and beautiful himself).

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The morning lifeguard workout in the streets of Búzios---another good reason to visit this little beach town


Our original plan had been to rent a car and drive up the coast from Rio to Salvador, but for various reasons that didn’t work out. Traveling by bus up the coast began to look like a long, hard trek as well—so we wound up going back to Rio by bus so we could fly up to Salvador. From Salvador we would go back south, again by bus, to Itacaré, a place we both wanted to explore.


During our one-night stay in Salvador, I took Steph to one of my favorite restaurants, Caranguejo, and introduced her to Moqueca de Camarão, which is a Bahian seafood bouillabaisse made with coconut milk and dende and shrimp and god knows what else, and is a little bit of heaven. It required just one spoonful to convert Steph. (May I also mention here that, as an inveterate beer drinker, one of the things I love about Brazil is that they are religious about only serving really REALLY cold beer. I love that!)

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Steph's first Moqueca de Camarão in Salvador


We didn’t really know what we were in for when we got on the bus from Salvador to Itacaré. Well, actually, you can’t get a bus from Salvador to Itacaré. You have to get a bus for Itabuna or Ilhéus, and then catch ANOTHER bus to Itacaré. So we blithely got on the bus (which I must admit was very comfortable) and settled in for a six-hour journey. Actually it might have been seven—the time zone kept changing and nobody told us, which meant we kept thinking we were either way ahead of schedule or we were about to miss our next bus, which didn’t add to our peace of mind. Anyway, after six or seven hours on the nice bus, we then had to spend two and a half more hours on the not-so-nice bus, and by then it was late at night, so by the time we rolled into Itacaré, we were pretty exhausted.

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Views from the bus ride, Salvador-Itabuna


But the next morning when we got up and saw in the full light of day where we’d landed, we were happy. Itacaré is a very cool little hippie-surfer town, with great beaches, great waves, and a lot of charm and atmosphere. we stayed in a pousada called Hanalei (yes, like the beach on Kauai) which was like a Swiss-Family-Robinson treehouse, only not in a tree. Charming and well-managed—and the breakfast itself was worth the price of admission. GREAT food! Another pousada I can heartily recommend, if you ever want to make the trek to Itacaré.

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Some views of Itacaré's scenery


—Which you might want to do, because this is one of those places everybody falls in love with. It’s friendly and rustic and has lots of cool places to hang out—and beautiful, with 7 or 8 or 10 beaches, I don’t know how many, all close together and all gorgeous. Some gorgeous people too. We met quite a few of them, and on our second day there, we met a boy named Baiano. I had not been planning to work on this trip, but when I met this boy, I changed my mind. Here was a raw sexiness I felt I had to capture! Everything fell into place very quickly. I met him around noon, and by 3pm we had hiked to a deserted hilltop overlooking a beautiful beach, where Baiano got naked and I made him climb up and down the trails for the next 2 hours.

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Left: Baiano with surfboard. Right: Following Baiano up the hill on the way to our photo session.


Just as exciting as the model was the setting. This is the kind of backdrop I just can’t find in Hawaii, because it’s so populated. Itacaré is a small town in the middle of nowhere with a surplus of beaches, so you can shoot a nude model in places like this without worrying about lots of people wandering through your photo shoot. Like most of my models, Baiano is a sexy boy with charm, charisma and an oversupply of testosterone. It’s a combination that works for me. As is usually the case, Baiano was a bit surprised at how much fun it was to model for me, and at the conclusion of the shoot, we were good buddies.

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Some shots of Baiano in Itacaré


Steph and I left Itacaré with some reluctance, but it was time to go home. This time we skipped the bus and flew from Ilhéus to Salvador (45 minutes instead of 9 hours). We spent one last day in Salvador, most of it on the beach in Barra, where we ran into Wellington, my model from last year. We took him out for dinner and drinks that night, then went home because we had to get up early for our flight home.
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Wellington and Steph on our last day in Bahia


What a wonderful trip, but so great to be home again. I hated to leave Brazil but was overjoyed to get back because I’d been missing painting so much. I’m now happily ensconced in my studio painting and drawing like mad!

The beach shoot in the previous entry happened on a Thursday. Saturday was the day we’d scheduled a boat excursion to some of the islands in the bay (Bahia de Todos os Santos). Renting a boat is always an interesting process in Brazil (maybe it is everywhere, i don’t know—I’ve only done it in Brazil). So all of us arrived at the beach in Barra, which is where we were supposed to meet the boat, and we were loaded down with supplies (beer and soft drinks, sandwich fixings, and ICE) for the day trip, and—NO BOAT!

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Waiting for them to bring the boat around...

The dreadlocked guy I’d been dealing with, who calls himself "Marco Polo", told me that the R$500 (500 reais, about $250) boat I’d hired and given him a deposit on was not available—it was being repaired "out on the island"—and sorry, but all we have available is the BIG boat for 900 reais ($450). Is that okay? We were already there, ready to go, the ice was melting—I felt like I didn’t have much choice but to give in to the manipulation. But I was pretty philosophical about the extra expense—my attitude in these situations is, everything happens for a reason. And when we finally got on the boat I saw that it was exactly what I’d had in mind and if we’d taken the less-expensive boat I might well have been disappointed.

(Nevertheless, NOTE TO SELF: If you’re going to rent a boat and sail to deserted islands, Angra dos Reis is a much better choice. Lots more boats to choose from—and more competitive prices—and lots more islands to choose from too!)

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Leaving Salvador...hijinks enroute...quiet moment with Israel and Fernando.

We loaded our stuff and ourselves onto the boat and sailed out into the Bay to a place called Ilha de Frades, one of many small (and some not-so-small) islands in the Bahia de Todos os Santos (All Saints’ Bay) which is the bay on which Salvador is located. It took us nearly 2 hours to reach the island (and this was sailing across just one corner of the bay—it’s one of the biggest in the world). Once there, we found another beautiful, deserted beach—beautiful in a very different way from the one we’d visited two days before. This was more like the beaches in the islands of Angra dos Reis, though with more coconut palms, which add a visual element I always like.

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Wellington bringing gear to shore; Kelly and Israel; the boys on the beach; playing by the tidepool.

There was no dinghy or rowboat, which meant that once the schooner was anchored, we had to ferry my camera equipment to shore in plastic bags held atop the heads of the models. Remind me to get a boat with a rowboat next time!

Anyway, once we had all our stuff over on the beach, I began following the boys around with my camera (always a challenge to keep up with them!), shooting nonstop, and my sister Kelly following us with the video camera—also doing her best to keep up.

Things went very well and then we reached an area where the rocks were very slippery, and as I’m shooting the guys playing in a tidepool, I hear a yell and turn to see that Kelly’s feet have gone out from under her and she’s sitting in a tidepool—she’s soaked, and so is the video camera. Almost instantly Wellington ran over to ‘save’ her (he’s very gallant around Kelly) and he also slipped, fell, and slid right into the same tidepool. Fortunately all Kelly had was a scraped elbow—but the video camera was no longer working, and as it turned out, was pretty much trashed—not only had salt water had gotten into the circuits, the impact itself broke a key component (we found this out later). Kelly, as you can imagine, felt terrible—but I reassured her that it was nobody’s fault and shit happens! And anyway, it’s just a piece of equipment—it can be replaced.

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Heading home after a long day in the sun...

As philosophical as I was about the loss of the equipment, it was still a blow for me—I’d been really enjoying the process of videotaping this whole trip (and already editing the movie in my mind), and suddenly it seemed like that part of the project was going to be fatally compromised. I soon realized i was overreacting, and there’s always a way to deal with it—but it took me a bit to get to that point.

Anyway, I kept shooting the models even though i was feeling preoccupied and upset. As I shot the photos, I was thinking, well, these aren’t going to be much good because I’m not focused like I should be. But the next day, when I looked at the results on the computer, I was blown away by how good they were. I guess I’m more professional than I realized. Not a bad thing to discover.

So the second model shoot, despite the loss of the video camera, turned to be a good, productive day. We sailed back to Salvador, got off the boat and waded to shore with all our stuff, and I headed straight home and fell into bed, out like a light.

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Wellington became our new best friend in Salvador.

Once the second photo shoot was over, I could finally relax and enjoy being in Salvador. But I was so tired I found myself mostly just catching up on sleep. I did enjoy myself, though. Salvador is a great place, and the people we met made it even better. Over the next few days, Wellington kind of adopted Kelly and me, and took us everywhere. He’s the kind of guy who, wherever he goes, finds friends. Either you already know him and like him, or you’re about to. This meant that we got incredible warmth (and great service too!) from people wherever we went with him. He made the rest of our stay in Salvador even better than it would’ve been otherwise.

I also have to thank Fernando for providing so much help and guidance, and generally doing a great job as a talent-scout-agent-tour-guide and general helper. Again, his website is bahiaboybrasil.com, if you’re headed for Salvador and you need somebody to take care of you and show you around.

Kelly and I spent three days in Rio before heading home to, respectively, Hawaii and Lincoln, Nebraska. I enjoyed showing her around one of my favorite towns and we met a lot of nice people there too. I got back to Honolulu on Saturday, April 14, and as great a time as I had in Brazil this trip, it was wonderful to be home! I can hardly wait to start work on new paintings and drawings of Israel and Wellington. (And planning my next trip…?)

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Almost there...


We rented a van and a driver for the day, and met at the “beach house” (we were no longer calling it the house from hell, since we didn’t have to live there).


I was amazed that both Wellington and Israel were not only on time, but EARLY! I have to say again, you just don’t get this kind of thing in Salvador. I was counting my blessings!


It was Fernando, my agent and assistant, who was more typically Bahian. He kept us all waiting almost a half-hour. Still, we were all in the van and on our way by 10:30 AM, which was earlier than I’d hoped.


That was good, because it was a long drive to where we were going—2 and a half hours, in fact. The first 2 hours were by main highway, but the last half hour was down country backroads that sometimes looked almost impassable. But we got there!

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The beach was perfect!

We unloaded ourselves and our stuff from the van and trudged up a sand dune to see what the beach looked like on the other side. It was beautiful! In fact, it was exactly what I had had in mind when I was first planning this trip. We had to walk down the beach a ways to get away from a few fishermen but we soon reached a perfect spot—deserted, windswept, coconut palms in the background. We got set up and the boys started getting undressed.

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Israel heading into the surf.

Wellington went for a quick run down the beach. He needed to clear his head before he started modeling, he said. Israel didn’t need any preparation. He headed for the water, still in his white undershorts. I looked away for a second, then looked back and he was heading into the surf, already naked.

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Wellington and Israel: a good team.

If the location was great, the models were even better. As you know if you’ve read previous Brazil entries of this Diary, I love the energy and inventiveness Marcus brings to my model shoots with him. Well, that was just the type of thing i got immediately from Wellington and Israel. Wellington was acting almost like an older brother to Israel (Wellington is a confident, grown-up 25, Israel a not-very-mature 21), helping, encouraging, and teasing him. The two hadn’t met before they met through me, but they had a great chemistry together. Both are straight (though “straight-flexible” might be a better term in Brazil), but they were willing to be somewhat physically affectionate with each other in a really masculine, sexy way. As with Marcus, they didn’t need much direction—my main challenge was just to keep up with them.

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Israel enjoying himself; models harassing Kelly

An interesting thing happened: Wellington came up to me early in the shoot, all wet from playing in the surf with Israel, and said in Portuguese something to the effect of, "What happens if we get excited (sexually aroused)?" I laughed and said, Believe me, it’s not a problem. He said, Really? I said, REALLY. From then on, both of the guys were constantly stroking themselves. This is something Brazilian boys do a lot of anyway, but they really went for it—especially Israel. in fact, at one point i was trying to get them to play ball in the surf again, but Israel just wanted to stand around stroking his "pica dura." It was very sexy—and kind of funny, too. As my sister Kelly said after having her picture taken with Wellington and Israel standing next to her naked and aroused, "I know how this would probably look to somebody who wasn’t here, but I’m kind of amazed at how innocent it all is." And it was. In fact, there was a kind of freshness and magic to the whole experience that day that made it one of the best photo session experiences i’ve ever had.

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One of the 1700-plus images shot that day---a very successful photo session!

And later, looking at the photographs on my computer, i saw that a lot of the magic had been captured in the images. There are some fantastic painting possibilities in these photographs. I’m definitely going to be stretching myself as a painter to do justice to some of these images. I’m looking forward to the challenge!