IMG_0459.jpg


Click here to access all entries in Douglas Simonson’s “On the Road” Series


MALIBU PHOTO SHOOT: STEVE CHEN



As you know if you’ve been reading this blog, I’ve just embarked on a year-long journey.

I left Hawaii July 10 for Los Angeles, the first stop. I’ve been here for a little over 2 weeks, and I’ve just completed the first male-nude photo shoot of my trip so far.

stevechen.png

Steve Chen in a photograph by David Smith

I met Steve Chen through fellow photographers David Smith (Hawaii) and Kurt Brown (California). I’d seen some of the photographs and thought he looked great! On top of that, both David and Kurt said Steve was a sweetheart, easy to work with and just a really nice guy. I like to hear reports like that. So I was eager to meet him.

3up-testshots.jpg

Some of the test shots I took of Steve when we first met.

Steve came to meet me where I was staying, at my friend Gina’s Brentwood apartment. I liked him right away. He’s a very friendly, open, charming guy, and of course he’s handsome and has an amazing body! We talked a bit about the shoot, and other things, and set a date and time.

Two days later we drove to Malibu’s Point Dume State Park. Kurt Brown had recommended this spot, saying it wouldn’t be too difficult to find a nice beach with no one else around. That didn’t turn out to be quite accurate. Maybe it was because it was just getting into the really nice summer weather and Kurt was used to going there in the winter…or maybe we were just unlucky…but we hiked, and hiked, and hiked, and found beach after beach that was beautiful and would have made a great location–but had picnickers and sunbathers already on them.

We were both getting pretty frustrated, but we kept hiking and hiking–I know we covered several miles and I am not a very enthusiastic hiker!–until finally, at a point very far from where we’d begun, we found a spot with no one else around.

hiking-odyssey.jpg


That’s where I was finally able to start shooting in earnest. The sun cooperated by coming out in full force at just about that time, too, so from being very frustrated and tired, I went to being very excited and energized within a few minutes. I ultimately shot over 2000 images of Steve and was very happy with the results.

4up-pointdume.jpg

Just a few of the over 2000 images I shot of Steve at Point Dume.

We drove back to L.A. late that afternoon, both feeling tired but content: Steve because he felt he’d done a good job (he did) and me because I had so much great new material to work from!

I wasted no time, and within 3 days I had several new rough sketches of Steve, in both pencil and colored pencil. There will be many more! (Click on the sketches to see them on my website.)

stevechen-sketches-3up.jpg


And the first Steve Chen photo shoot gallery went up on the Simonson On Location on July 28. Again, there will be many more!

LAskyline.jpg

Click here to access all entries in Douglas Simonson’s “On the Road” Series


PART 1: ESCAPE from STUFF!

I am in Los Angeles, having finally made my escape from Hawaii.

I don’t mean that quite like it sounds. It’s not about an escape from Hawaii. The “escape” has more to do with getting rid of possessions which had begun to possess me. The final days before I left were all about dealing with all that…STUFF. I was selling stuff, giving away stuff, throwing away stuff, and still keeping way too much stuff. There are boxes and boxes of it at my office.

But there’s a plan to get rid of it.

Each time I come back for a week-long check-in visit to Hawaii (the first one will be in September), I will sort through more of it and get rid of more of it. I’ve realized getting rid of stuff is a major theme for me these days.

So…going on this year-long journey is not so much about the travel as about the LETTING GO and LIGHTENING UP.

And even though I headed for the airport on Sunday with a huge suitcase weighing 60 lbs. and a very stuffed carry-on, it feels great to know this is all the stuff I need to have in my life right now. Plus I will lighten and refine the load during my travels, as it becomes clearer what’s really essential and what’s not.

PART 2: REUNION WITH GINA AND RAMSES IN L.A.

GINA has been a significant part of my artistic life ever since that day in Honolulu in 1986 when the phone rang and I picked it up to hear a female voice saying, “Hi, you don’t know me but I’ve seen your art and my boyfriend would be a PERFECT MODEL for you!” The boyfriend was indeed a perfect model. He is long gone, but Gina and I are still friends 25 years later, and when I’m in LA she is the person I stay with.

One of our best and most memorable times together was in Brazil in 2004 when I did my first Brazilian male-nude photo shoot as a direct result of Gina’s finding a boy on the beach who became my Rio talent scout. My friend Ramses was also on that trip, and the three of us totally bonded as a result of our Brazilian adventure together.

brazil-mar2004-0290.jpg

This is us in Brazil in 2004: Luiz, Gina, Ramses, Douglas. (Luiz, also known as Gui, is the Brazilian boy Gina met by chance on the beach who became my Brazil talent scout and 'events coordinator'. He's an actor in Canada these days.)

ramz-gina-coconut-ipanema.jpg

Ramses and Gina on the beach at Ipanema during our Brazil trip.

As it turns out, Ramses is on the West Coast at the moment, and has altered his plans so he can come to LA and hang out with us. So it’s a big reunion and the three of us are having a great time hanging out, catching up, and having some new adventures!

ds-ramz-gina-LA.jpg

This is us in LA in 2011. Gina, Gina's cousin AJ, Ramses, Douglas. (Fiesta Cantina on Santa Monica)

PART 3: CREATING ART ON THE ROAD

art-in-prog-ginas-LA.jpg

On the left, a pencil sketch of some palm trees I saw while walking to get groceries in Brentwood. On the right, a colored-pencil drawing of Nohea I've been working on that's about 60% finished.

It’s been a challenge finding time to draw, since I’m staying with two of my favorite people in the world to hang out with. But I’ve been managing. I’ve started a colored-pencil drawing of Nohea that I really like so far. I spend a few hours on it each day. Also did a little sketch of L.A. palm trees.

PART 4: NEEDING SOME ALONE TIME: SETTING BOUNDARIES

Being on the road means spending a lot more time in other people’s spaces.

I’ve been having a wonderful time hanging with Gina and Ramses but I’m realizing something. I am the kind of person who loves being with people, but I can’t do it for too long at a time. I gather energy and find myself by being alone. I get my best ideas, have my clearest reflections and am at my most creative when I’m by myself. Usually I have a LOT of alone time, and I like it. Now that I’m traveling I find I’m with people much of the time and I’m not used to that.

ramz-gina-santamonicapromenade.jpg

Even though I was having an emotional meltdown I still caught some nice images of our evening in Santa Monica on my iPhone.

Last night I had a kind of emotional meltdown because I went out (to the Santa Monica Pier and Promenade area)with Gina and Ramses even though I was already in need of alone time and hadn’t taken it. It was not pretty, but fortunately all was forgiven and we’re all still friends. I’m learning that it’s okay to say, “Guys, I need some alone time,” and go for a walk or to Starbucks or, if one’s available, just shut myself in a room for awhile.

Sometimes I just need to recharge my batteries!

PART 5: PHOTOGRAPHERS AND MODELS

KURT BROWN AND A BEAUTIFUL NEW MODEL


kurt-darius-DS-LA.jpg

I went to lunch with my friend Kurt Brown, a terrific photographer who lives here in LA and who also specializes in the male nude. We talked about everything, but especially models and shooting them and marketing ourselves. I told him all about my e-books, how much fun they are to create and how well they’re selling, and I may be working with him on producing an e-book of his photographs. We also shared lunch with Darius Dio, a stunning 26-year-old who models all over the world (see photos above). He’s a very down-to-earth, easy-going guy, and we talked about working together sometime soon.

PHOTO SHOOT WITH STEVE CHEN

stevechen.png

I’m meeting with Steve Chen (shown above in a shot by David Smith), a bodybuilder who lives here in LA, on Monday, and if all goes well, we’ll do a shoot on Wednesday, probably in Malibu. Steve has worked with my friend Kurt Brown in LA and my friend David Smith in Hawaii. I’m looking forward to photographing his beautiful face and body in the California sun.

PART 6: LOS ANGELES IS F**KING COLD!

I am always amazed at how COLD it is in LA. It seems the whole world has this idea that LA is a hot, sunny place where you can run around in a swimsuit all the time. That sure hasn’t ever been my experience. I always pack a jacket and/or a sweater when I’m coming to LA. It’s July and I just went out to get some groceries and even in the middle of a sunny day I got chilly as soon as I stepped into the shade. And at night, forget it. You will need to bundle up.

I’m not like most people, I guess. I actually enjoy 85-90 degrees and high humidity and no breeze.

With Albuquerque in July being my next stop, I will probably get to find out what it’s like at 100 degrees and NO humidity. Bring it!


If you liked this entry, please click on the Like button. Thanks!

Access all blog entries in Douglas Simonson’s “On the Road” Series here:


Chapter 1
    June 9, 2011   On Chucking It All and Going On the Road

Chapter 2
    June 21, 2011   Prepping to Go on the Road

Chapter 3
    June 29, 2011   Before I Take Off

Chapter 4
    July 18, 2011   Letter from Los Angeles

Chapter 5
    July 28, 2011   Malibu Photo Shoot with Steve Chen

Chapter 6
    August 20, 2011   Letter from Lincoln

Chapter 7
    September 15, 2011   Letter from Baltimore

Chapter 8
    October 27, 2011   Letter from Honolulu

Chapter 9
    December 10, 2011   Letter from Brazil

Chapter 10
    February 3, 2012   Leaving Home…Going Home!



Click here to access all entries in Douglas Simonson’s “On the Road” Series


Okay, it’s June 28th. This was my projected date for flying to LA and beginning “the adventure.”

Well, two things. One, this kind of thing usually takes longer than expected, so I’m fine with that. Two, I have a funny feeling “the adventure” has already begun.

dougs-element-newcar.jpg

Here's the car I just sold, a 2003 Honda Element. I loved this car...I'll miss it. But good to be moving on.

Sold my car and the money’s in the bank. It went to really nice people who love my Honda Element as much as I did, and are very happy to have it. I’m happy to be that much lighter. I got a nondescript little rental today and I’m zipping around in that, perfectly happy. Driving a rented car always makes me feel like I’m on vacation.

The apartment has not yet found a tenant. I’m not concerned. The right person always comes along at the right time. I’m a little concerned about how many plants remain in the apartment…but they really add a lot and I like having them there when the apartment is being shown. I’m hoping the new tenant will be a plants person and will be happy to have them.

Now that almost everything is in place, things aren’t so crazy rushed and I have a little bit more time…so maybe I can get a little drawing and painting done before I take off. In fact I may delay my takeoff a bit just so that I can do some painting in my “new” in-office studio. And I’m working on ideas for a new e-book (or two).

There’s also a July 4 pool party at my friends Chris and Will’s which is always one of the best parties of the year (they live in the old Lana Turner estate on Diamond Head and have a huge pool and one of the best party venues of anyone I know, plus they’re good friends and the vibes are always really great there)–and I may stay around so I can go to that. Let’s see, party July 4, recover July 5, fly to LA on July 6? Mmm, maybe.

I said the adventure has already begun, and it has. I really like the looseness and liberty I’m feeling, like being able to leave when I feel like it rather than having to match up to some external schedule…and having only a vague idea of where I’m going and when, and having it be okay that it’s not written in stone, and might change at a moment’s notice. And having some extra money from the sale of the car removes any money pressure I was feeling. Ah, freedom!

That feeling of lightness and freedom makes creating art a lot easier too. We’ll see what I can create before I fly away…

Click here to access all entries in Douglas Simonson’s “On the Road” Series


Three weeks after the momentous decision talked about in my “On Chucking It All and Going On the Road” entry, things have moved along dramatically, and the shape of my life is changing before my eyes.

My studio has now been moved into my office and I’m still unpacking boxes and setting things up. It’ll be a few more days before I can actually start drawing and painting again, but things are moving along.

emptystudio.jpg

A few days ago this was my studio.

I’ve also been selling a lot of stuff—books, CDs, DVDs, luggage, kitchenware, odds and ends. Feels good to be “lightening up.”

The property manager I found has begun advertising the apartment for rent and dealing with prospective tenants. I’m dealing with the limbo state of living between my steadily-less-homelike apartment and my in-office studio, and although I’m impatient to actually get all this preparation out of the way and be on the road, there’s so much to do every day I’m far from bored.

Everything is falling into place. There are long lists of things to do every day, but it’s all getting done. I’ve finally learned, when faced with huge piles of to-do’s between myself and the goal, to not think about the enormity of the task, but just remind myself, sometimes forcefully, “I don’t have to know how everything will get done. I just need to do this one thing I’m doing now.” Amazing how often the daunting stuff just seems to take care of itself when I maintain this attitude.

One item got taken care of in an unexpected way when the beautiful 21-year-old dancer who had agreed to model for me before I left sent me a message (on Facebook) simply saying “I don’t feel comfortable modeling nude”. This is after an in-person interview where we talked about every aspect of the gig including my showing him the Simonson On Location site and the agreement he would be signing, and he was fine with all of it.

Oh well. When I was 21 I didn’t always know what I wanted either. (I sometimes don’t now!)

Although I do know, with more clarity than I’ve had about a lot of things, that what I’m doing right now, chucking it all and going on the road, is absolutely what I want. I’m happy to report that as the day for my departure nears, it all still feels totally right. (Not that I don’t also get nervous and frightened at moments…like sometimes I’ll wake up in the middle of the night in a cold sweat…but I just breathe deeply and remind myself that if it wasn’t scary, it wouldn’t be exciting.)

Anyway, a few days from now, when all this minutiae is tidied up, I’ll get on the plane and head for Los Angeles, where I’ll spend a couple of weeks with my friend Gina. I’m expecting that once I’m there and finally away from Hawaii and my previous life, I’ll be able to decompress and see more clearly what’s next. Not that I don’t already have the first couple of months roughly laid out in my mind. I’ll probably head for Albuquerque next, to visit my brother and his wife, and then head up to Nebraska where the rest of the family lives, and spend a few weeks with them. While I’m doing this California-New Mexico-Nebraska triangle, my passport will be in California getting its Brazil visa renewed so I can head there 2 or 3 months from now. A friend has volunteered his couch in São Paulo.

I also might end up in Australia in October, meeting some Hawaii friends there.

And Puerto Vallarta is calling me again, too…

About travel and living in Hawaii…there are a lot of destinations I’ve fantasized about over the years but was too often stopped by the extra time and money required to get there from these isolated islands. I’m looking forward to being in places that are adjacent to my next exciting adventure spot, rather than always having to deal with the thousands of miles you have to traverse to get to a starting point for your journey when you live in Hawaii. I love Hawaii and I’ll always come home to it, but I sure like the idea of already being in New York, for example, when I decide to go to Europe.

plants-on-counter.jpg

I've already sold quite a few of my plants, but I had to move all the ones I still have off the floor so the carpets can be shampooed today.

I sit here at my kitchen table writing this in the midst of chaos. The carpet-cleaning people are coming an hour from now and as soon as I finish this, I have to drag all the furniture onto the non-carpeted areas of the apartment so they can do their shampoo thing. While they’re doing that, I’m taking my Honda Element to Cosmo down on Kapiolani to get it spiffed up so I can photograph it and put up a Craigslist ad to sell it. That’s the last big thing to take care of before I leave.

Still haven’t bought my ticket but that will happen in the next few days. My next post, barring unforeseen happenings, will be either just before I’ve left, or just after arriving in LA. Or maybe it’ll get written on the plane…


Click here to access all entries in Douglas Simonson’s “On the Road” Series


I made a huge change in my life when I was 19 and I left Nebraska to move to Hawaii.

It was the best decision of my life.

Now, over 40 years later, I’m about to make a change that is almost that big.

I’m chucking it all and going on the road.

#alttext#

The view from my Waikiki living room.

I’ve spent over 40 years in Hawaii and I have loved living here. I’ve loved making a career here as an artist of the male nude, being able to live in Hawaii and still have collectors all over the world. I especially loved the change I made 3 years ago, when I bought an apartment (my first time as a homeowner) in Waikiki. I loved the apartment, and I loved living in Waikiki! I absolutely loved waking up in the morning and looking out at the ocean, Diamond Head, and the Ala Wai canal, seeing the palm trees sway in the breeze, and knowing that I lived in the most beautiful and comfortable place in the world.

It was perfect!

Yeah, PERFECT…for a while.


But paying a big mortgage every month, not being able to travel much because of that mortgage, and living in a place that feels like my PERMANENT home in a way a rental never does, has had an effect on me. As much as I’ve loved living in this apartment, over the past year or so I’ve begun to feel a bit like a prisoner.

#alttext#

The living room of my oh-so-comfortable Waikiki apartment.

I felt like I was chained to this apartment and its comforts (not to mention Hawaii and its comforts) and I kept hearing this very reasonable-sounding voice saying, okay, now it’s time to just accept it, you’re over 60 now, you’re slowing down, settling down, you’re going to grow old here in this place. Relax and enjoy it…it’s a beautiful place to let your life wind down.

…What?

Whoa!

…let my life WIND DOWN??

UH…

I DON’T FUCKING THINK SO!!!

So here’s what happened.

I was cleaning out a kitchen cupboard one afternoon and I was about to wad up and throw away a months-old issue of the Honolulu Weekly when an article caught my eye.

The story was about a British woman in her mid-40s who is rowing her way around the world. Yes, ROWING. Roz Savage had a mid-life crisis when she realized she had lots of material things and a comfortable relationship and a cushy job, but something was missing. At that point she did something really interesting: she wrote two versions of her own obituary.

In the first obituary she imagined continuing her life as it was going. In the second version, she imagined herself doing something adventurous and living life by her own rules. It was quite an epiphany for her. She wound up deciding to end her marriage and her career and give up all the material things she thought were important. That’s when she came up with the crazy idea of rowing across the Atlantic. (Read the article at the bottom of this page if you like.)

I’m not going to row across the Atlantic. (It’s painful enough flying across it in Coach.) But I have taken her message very much to heart.

Okay, it’s not quite the same. I’ve been living an adventurous life by my own rules for practically my whole life, and I’ve loved it, and I love my career and I will be keeping it. But that story really struck a nerve. I was standing there at my kitchen counter reading the article, thunderstruck. I realized what I HAD to do.

I HAD TO GO TRAVELING.

In a matter of about 30 seconds I not only knew I had to go traveling, I knew how I would do it. I would rent out my apartment (let someone ELSE pay my mortgage for awhile!), move my studio into my current office (which actually has plenty of space for it), sell my car and get rid of everything I didn’t need, and take my drawing, painting and photography (and blogging!) on the road. And I would travel for at least one year!

The fact that it took under a minute for me to know exactly how this would be done tells me that on some unconscious level I’d been planning this for awhile. But I hadn’t known it until I read that article.

What struck me with great force was how RIGHT this felt. As soon as the idea of doing this occurred to me, I knew it was already a done deal. It felt so right on so many levels, there was absolutely no question it was my path. I didn’t realize how unhappy and conflicted I’d been feeling until I finally saw my next step, and saw it with crystal clarity. I got so excited I could hardly contain myself, and I’m still feeling that way!

That was a little over two weeks ago. Since then I have contracted with a property management company to handle renting and management of my apartment for at least 1 year; I’ve put my car up for sale; I’m putting together a garage sale to get rid of everything; i’ve cancelled the cable, car insurance, and a dozen other things I had taken for granted and now feel lighter for having cut off; and the movers are coming day after tomorrow to move my studio into my office.

I’ll be flying to Los Angeles around June 30 (give or take a few days either way) to move in with my friend Gina for a few days while I decompress and start planning the next year (or more) of globetrotting.

Although I’m not going to plan TOO much. I’m excited by the prospect of making it up as I go along.

I love the fact that I’ll be free to travel the world yet I get to keep my gorgeous Waikiki apartment…kind of putting it on reserve until some future time when I’m ready to move back in. This is a mix of liberation and stability that really appeals to me.

I’ll have my studio all set up in my office so that whenever I’m in Hawaii (I plan to come back and check in every 2 or 3 months—where I’ll stay I don’t know yet but that will fall into place) I’ll be able to spend some time painting in a fully equipped studio. But most of the time I’ll be drawing, and photographing, wherever in the world I happen to be.

And I’m inviting you along for the ride, in a way. I’ll be updating you regularly on my adventures via this blog. And of course you’ll continue to see my new art popping up on my fine-art website, www.douglassimonson.com, and new models and photo shoots appearing on www.simonsononlocation.com.

Don’t hesitate to comment on any of this as we go. I’ve always enjoyed your comments on this Artist’s Diary blog, and appreciated them. Now I’ll appreciate them even more as you give me your feedback on where I’m going and what I’m doing and your suggestions on where I should go next, and what I should do when I’m there! I love the fact that I’ll be traveling on my own, but I’ll never be alone.

As Buzz Lightyear would say, “To infinity…and beyond!”


#alttext#
[back to top]


I’ve just completed a really interesting project, a painting commissioned by a couple I know.

This is a portrait commission of sorts, but not the usual kind of portrait. This is a portrait of a place and time.

My friends Siew and Jeff have lived in Hawaii for several years and now they’re moving to the East Coast. They wanted a painting that would remind them of their time here, to hang in the living room of their home and take them back to Hawaii every time they looked at it. Siew was the initiator of the project, and he told me he really liked one of my paintings, “Summer Salad,” and thought that something in that direction would be cool.

I really liked the idea. This sounded like it would be fun, and something different for me to stretch out with.

#alttext#

This is a distorted-on-purpose composite of several photos I took of Siew and Jeff's house in Kalihi Valley.

I went to the house they still own in Honolulu’s Kalihi Valley to see the place and take some pictures. I also talked to Siew about some of the most notable things about their time in Hawaii. The list included cats (they have 3), fruit trees (they have a big tangerine tree right in front of their house), a rooster which used to wake them every morning way before they were ready, and various other things like rainstorms, rainbows and Geo Metros (don’t ask).

So I went back to my studio and started collecting image references from online, and started doing sketches.

#alttext#

Some of my reference images from the Internet, and some ideas for the painting. The large sketch at bottom is the final sketch I did before beginning the painting itself.

I worked on ideas for a couple of weeks, letting Siew in on some of the progress by sending him scans of some of the sketches via e-mail. After I sent him the final sketch before beginning the painting (he liked it) we both decided that I wouldn’t show him any more of the progress until it was done. He wanted to be surprised, and I knew that getting input from outside once I’d begun the painting could really interfere with the creative process.

#alttext#

Beginning of the painting process...

Then it was just a matter of doing the painting. I had worked out most of it in the sketches, so the painting was more about choosing and mixing the right colors. There were also some things that didn’t quite work which I had to shift around and alter a bit, but not many. The preparatory sketching process had worked out a lot of the issues already, so it was just a matter of bringing it to life on the canvas. It did take quite a while because there is a lot more going on in this painting than is usual with my work.

#alttext#

The above image shows the painting about 3 days before I finished it. By this point the painting has taken on a life of its own. My favorite things are the rooster and the fish. I don’t even know where those fish came from; they just popped into my head while I was doing one of the sketches so I put them in. And I liked them, so I kept them. The rooster I was always planning to include, but I didn’t expect him to have so much personality! I love the way he’s just standing down there in the corner of the painting, surveying everything, seeming to be saying to himself, “WTF??”

But I like the whole painting. I think it turned out really well and I was happy with it. That didn’t mean it was any less nerve-wracking to have Siew and Jeff come to my studio one morning to see it for the first time. I can’t tell you how relieved I was to see their reaction. They loved it! And the more they looked at it, the more they saw there, and the more they liked it. What a relief!

#alttext#

The finished painting: 'Kalihi Valley'

This painting was a challenge and a lot of fun too. I liked having a specific “story” to tell with the painting. It’ll be interesting to see what new directions happen in my painting as a result of this one.